For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection.
Date
Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
IIIF Manifest
The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.
Robert M. Doty and William Innes Homer. 1983. “The Photo-Secession: The Golden Age of Pictorial Photography in America.” Exh. cat. The Currier Gallery of Art (now The Currier Museum of Art). p.1.
Manchester, New Hampshire, Currier Gallery of Art (now Currier Museum of Art), “The Photo-Secession: The Golden Age of Pictorial Photography in America,” April 10-June 5, 1983.
Paris, France, Centre Georges Pompidou, “L’invention d’un Art,” October 12, 1989–January 1, 1990.
Art Institute of Chicago, “From Darkroom to Digital: Photographic Variations,” November 19–February 26, 2006. (Elizabeth Siegel)
New York, Seaport Museum New York, “Alfred Stieglitz: New York,” September 14, 2010-January 10, 2011.
Art Institute of Chicago, “Alfred Stieglitz and the 19th Century,” October 31, 2015-March 27, 2016. (Elizabeth Siegel)
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.