New York

Prints and Drawings

1913

Francis Picabia
French, 1879-1953

Status: Currently Off View
Department: Prints and Drawings

Artist: Francis Picabia
Title: New York
Place: France (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1913
Medium: Watercolor and opaque watercolor, with graphite, on cream wove paper
Inscriptions: Signed lower right, in black ink: "Picabia 1913"; inscribed upper left: "New York"
Dimensions: 55.6 × 75.6 cm (21 15/16 × 29 13/16 in.)
Credit Line: Alfred Stieglitz Collection
Reference Number: 1949.577
Copyright: © 2018 Artists Rights Society (ARS), New York / ADAGP, Paris

H. Hapwood, “A Paris Painter,” Globe and Commercial Advertiser (February 20, 1913), p. 8.
“A Post-Cubist’s Impressions of New York,” New York Tribune (March 9, 1913), part II, p. 1.
Francis Picabia, “How New York Looks to Me,” New York American (March 30, 1913), magazine section, p. 11.
Camera Work 42-43 (April-July 1913), pp. 48-51.

New York, Little Gallery of the Photo-Secession, “Picabia,” March 17-April 5, 1913.
New York, Solomon R. Guggenheim Museum, “Francis Picabia,” 1970, p. 70, cat. 25 (ill.).
New York, Solomon R. Guggenheim Museum, 1974.
Paris, Centre Georges Pompidou, “Paris - New York,” May 25-September 19, 1977, p. 260 (ill.).
London, Tate Gallery, “Abstraction: Towards a New Art,” February 6-April 13, 1979.
Städtische Kunsthalle Düsseldorf, “Francis Picabia,” October 29-December 4, 1983
The Art Institute of Chicago, “Twentieth-Century Collection Reinstalled,” June 7, 1991-February 28, 1992.
New York, The Museum of Modern Art, “Picabia: Our Heads Are Round So Our Thoughts Can Change Direction”, November 20, 2016 - March 19, 2017, pp. 47, 57, pl. 18, cat. by Anne Umland, et. al.

Alfred Stieglitz (1864–1946), New York; Stieglitz Estate (Georgia O’Keefe (1887–1986), executor); given to the Art Institute, 1949.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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