The Hanging of Judas

Applied Arts of Europe

c. 1520

Alsatian or Southern German

Status: Currently Off View
Department: Applied Arts of Europe

Title: The Hanging of Judas
Place: Alsace (Object made in)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1515–1525
Medium: Glass, paint, silver stain, lead
Dimensions: 57.2 × 44.6 cm (22 1/2 × 17 9/16 in.)
Credit Line: Kate S. Buckingham Endowment
Reference Number: 1949.494
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/65795/manifest.json

Oswald Goetz, “‘Hie hencktt Judas’,” in Form und Inhalt, Kunstgeschichtliche Studien Otto Schmitt zum 60. Geburtstag, ed. Hans Wentzel (Stuttgart, 1950), pp. 105-137, fig. 1.
Art Institute of Chicago Bulletin 44, 4 (1950), n.p., ill.
C. J. Bulliet, “Art in Chicago,” Art Digest 25, 6 (15 December 1950), p. 15.
Lee R. Sullivan, “The Hanging of Judas: Medieval Iconography and the German Peasants’ War,” Essays in Medieval Studies 15 (1998), pp. 93-102, fig. 1.
Virginia Chieffo Raguin and Helen Jackson Zakin, Corpus Vitrearum, United States of America, part VIII, Stained Glass before 1700 in the Collections of the Midwest States, (London, 2001), pp. 86-90, no. AIC 5, ill. p. 87.

John Christopher Hampp, Norwich, c. 1808 [according to letter of January 23, 1951 from Roy G. Thomas to Oswald Goetz in curatorial file]; sold to an ancestor of Sir Thomas Neave, 5th Bart. (died 1940), Dagnam Park, Essex [according to letter cited above]; Roy Grosvenor Thomas [according to letter cited above, see also R. Grosvenor Thomas Stock Book, I, pp. 102-103, N-29]; sold through R. G. Thomas and Co, London to the Art Institute of Chicago, 1949.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.