Untitled (Working Class Interior, Rue de Romainville)
Place
France (Artist's nationality:)
Date
Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
Inscribed recto, in negative [?], upper left, in white: "N Y"; recto, in negative, lower right, backwards, in black: "742"; inscribed verso, on mount, upper left, diagonally, in graphite: "# 67"; verso, on mount, upper right, in graphite: "Int [?] 742"; stamped and inscribed verso, on mount, center, in pink and black ink: "PHOTO E. ATGET / COLLECTION BERENICE ABBOTT [stamped in pink ink] / 1 W. 67th ST. [stamped in pink ink/crossed out in black ink] / 44 W. 9th St / N.Y.C. [inscribed in black ink]"
Art Institute of Chicago, “In the Vernacular,” February 6–May 31, 2010. (Greg Harris)
Art Institute of Chicago, “The Photographer’s Curator: Hugh Edwards at the Art Institute of Chicago, 1959-1970,” May 24-October 29, 2017. (Elizabeth Siegel)
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.