Peasant Girls from Andorra

Prints and Drawings

late summer 1906

Pablo Picasso
Spanish, 1881-1973

Status: Currently Off View
Department: Prints and Drawings

Artist: Pablo Picasso
Title: Peasant Girls from Andorra
Place: Spain (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1906
Medium: Pen and brown inks, over traces of charcoal, on cream laid paper (discolored to buff)
Inscriptions: Signed and dated verso, lower right, in graphite: "Picasso / 1906"; inscribed verso, lower center in graphite: "Paysannes d’Andorre"
Dimensions: 63.5 × 43.5 cm (25 × 17 3/16 in.)
Credit Line: Gift of Robert Allerton
Reference Number: 1930.933
Copyright: © 2018 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Parnasus III:3 (March 1931), p. 53 (ill.).
Sergio Solmi, Disegni di Picasso (Milan, 1945), pl. X.
Alfred H. Barr, Jr., Picasso: Fifty Years of His Art (New York, 1946), pp. 46 and 280 (ill.).
Regina Schoolman and Charles E. Slatkin, Six Centuries of French Master Drawings in America, exh. cat. (New York, 1950), p. 252, pl. 141.
Christian Zervos, Pablo Picasso VI (Paris, 1954), p. 95, no. 780 (ill.).
Maurice Jardot, Pablo Picasso Drawings (New York, 1959), no. 15 (ill.).
Arthur Millier, The Drawings of Pablo Picasso (Los Angeles, 1961), n.p. (ill.).
Pierre Daix and Georges Boudaille, Picasso 1900-1906: catalogue raisonné de l’oeuvre peint (Neuchâtel, 1966), p. 292 (ill.).
Josep Palau i Fabre, Picasso en Cataluña (Barcelona, 1966), p. 136, no. 114 (ill.).
Howard Greenfeld, Pablo Picasso: An Introduction (Chicago, 1971), p. 20 (ill.).
Josep Palau i Fabre, Picasso: Vivent (1881–1907) (Barcelona, 1980), pp. 471 and 552, fig. 1353.
Christopher Lloyd, Picasso and the Art of Drawing (London, 2018), p. 67, pl. 41.

The Art Institute of Chicago, “Century of Progress Exhibition,” June 1–November 1, 1933, p. 102, cat. 1047.
Hartford, Conn., Wadsworth Atheneum, “Pablo Picasso,” February 6–March 1, 1934, cat. 92.
New York, Museum of Modern Art, “Picasso: Forty Years of His Art,” November 15, 1939–January 7, 1940, p. 55, cat. 63 (ill.); traveled to The Art Institute of Chicago, February 1–March 3, 1940, the St. Louis Art Museum, March 16–April 14, 1940, and the Museum of Fine Arts, Boston April 26–May 25, 1940.
Art Gallery of Toronto, “Picasso,” April 1949, cat. 36.
San Antonio, Tex., McNay Art Institute, “Picasso,” November 4–December 5, 1954, cat. 14.
New York, Museum of Modern Art, “Picasso: 75th Anniversary Exhibition,” May 22–September 8, 1957, p. 28 (ill.); traveled to The Art Institute of Chicago, October 29–December 8, 1957.
Philadelphia Museum of Art, “Picasso,” January 8–February 23, 1958, cat. 29 (ill.).
New York, Wildenstein and Company, “Master Drawings from The Art Institute of Chicago,” October 17–November 30, 1963, cat. 155, pl. XLVIII.
Fort Worth, Tex., Fort Worth Art Center Museum and the Dallas Museum of Fine Arts, “Picasso: Two Concurrent Retrospective Exhibitions,” February 8–March 26, 1967, p. 101, cat. 151.
The Art Institute of Chicago, “Picasso in Chicago,” February 3–March 31, 1968, pp. 56, 62, and 116, cat. 64 (ill.).
Cambridge, Mass., Fogg Art Museum, Harvard University, “Master Drawings by Picasso,” 1981, pp. 70–71, cat. 20, (ill.); traveled to The Art Institute of Chicago and the Philadelphia Museum of Art.
Tübingen, Germany, Kunsthalle Tübingen, “Picasso: Pastelle, Zeichnungen, Aquarelle,” April 5–June 1, 1986, cat. 34 (ill.); traveled to Dusseldorf, Kunstsammlung Nordrheim-Westfalen, June 14–July 27, 1986.
New York, Pace Gallery, “Je suis le cahier: The Sketchbooks of Pablo Picasso,” 1986, hors cat.; shown only at The Art Institute of Chicago, July 10–August 23, l987.
Barcelona, Museu Picasso, “Pablo Picasso 1905–1906,” February 5–April 19, 1992, pp. 330–331, cat. 161 (ill.); traveled to the Kunstmuseum, Bern, May 8–June 26, 1992.
Art Institute of Chicago, “Picasso and Chicago”, February 20-May 12, 2013, p. 38, cat. 27 (ill.), cat. by Stephanie d’Alessandro.

Albert Roullier Gallery, Chicago. Given by Robert Allerton (1873–1964), Chicago, to the Art Institute, 1930.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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