Mohnköpfe (Poppyheads) (Dress or Furnishing Fabric)
Date:
1900
Artist:
Designed by Koloman Moser (Austrian, 1868–1918) Produced by Johan Backhausen und Söhne (Austrian, founded 1849) Austria, Vienna
About this artwork
Koloman Moser, a prominent Viennese designer, cofounded the Wiener Werkstatte (1903–32), a forward-looking Viennese design workshop. Prior to 1903 he was an influential member of the Moderne Movement in Vienna. Moser was also a founder of the Vienna Secession, the association of young artists who had broken away from the Wiener Künstlerhaus, the accepted artistic forum of the time. Poppyheads, designed by Moser three years before the Wiener Werkstätte was formed, foreshadowed the kind of elegant textile designs he would produce at the Werkstätte. The attenuated lines coupled with the simplification and abstraction of organic forms demonstrate a new aesthetic vision of the time shared by artists and designers in Vienna and Glasgow. Moser’s design was produced in various colors by the Viennese firm of Johann Backhausen und Söhne, which was closely linked to the Werkstätte and is still in business today. The textile was intended for upholstery or curtain fabric, ideally for rooms whose design and furnishings would be produced as total environments by Werkstätte artists.
Mohnköpfe (Poppyheads) (Dress or Furnishing Fabric)
Place
Vienna (Object made in)
Date
Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
Silk, wild silk, and cotton, satin weave self-patterned by ground weft floats
Dimensions
182.9 × 113 cm (72 × 44 1/2 in.); Repeat: 45.5 × 29.8 cm (17 7/8 × 11 3/4 in.)
Credit Line
Purchased with funds provided by Mrs. Julian Armstrong, Jr.
Reference Number
1986.963
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Gronwoldt, Ruth. Art Nouveau Textil-Dekor um 1900 Katalog zur Ausstellung des W°rttembergischen Landesmuseums Stuttgart 10. Juli D 31. August 1980. Stuttgart: W°rttembergischen Landesmuseums, 1980. p. 177.
Varnedoe, Kirk. Vienna 1900 Art-Architecture & Design. New York: The Museum of Modern Art, 1986. P. 114.
The Art Institute of Chicago Annual Report 1986-87. P. 3 (Illus.)
Thurman, Christa C. Mayer. Textiles in The Art Institute of Chicago. Chicago: The Art Institute of Chicago, 1992), Pp. 118-19, 124, 148.
Mayer-Thurman, Christa C. Austrian & German Textiles from the Permanent Collection, 1900-1930. Chicago: Art Institute of Chicago, 1993.
Art Institute of Chicago, Elizabeth F. Cheney and Agnes Allerton Textile Galleries, Gift, Bequest and Purchase: A Selection of Textile Acquisitions from 1982–1987, Mar. 18–Aug. 14, 1989.
Art Institute of Chicago, Elizabeth F. Cheney and Agnes Allerton Textile Galleries, Designed by the Yard: 20th Century Pattern Repeats, Feb. 28-Jun. 25, 1990.
Art Institute of Chicago, Elizabeth F. Cheney and Agnes Allerton Textile Galleries, Austrian and German Textiles: 1900-1930 from the Permanent Collection, Jun. 5–Sep. 6, 1993.
Art Institute of Chicago, Elizabeth F. Cheney and Agnes Allerton Textile Galleries, Textile Masterpieces from the Art Institute of Chicago’s Collection, Feb. 17–May 2, 1993.
Art Institute of Chicago, European Art before 1900 rotation, Gallery 246, Apr. 26-Dec. 3, 2018.
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