Linen, plain weave; embroidered with wool and silk in satin stitches; laid work and couching
Inscription: AVE MARIA GRATIA PLENA DOMINUS TECUM (Hail Mary, full of Grace, the Lord is with Thee)
48.9 × 52 cm (19 1/4 × 20 1/2 in.)
Grace R. Smith Textile Endowment
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.
The Art Institute of Chicago Annual Report 1981-82. p. 13 (illustration).
The Smithsonian Institution, Dürer and his Time: An Exhibition from the Collection of The Print Room, State Museum, Berlin (catalogue). Washington, D.C.: The Smithsonian Institution, 1965-66. pp. 50-1 and cover.
Thurman, Christa C. M. “Some Major Textile Acquisitions from Europe and Egypt.” Museum Studies, Vol. II, No. I (Fall 1984). pp. 52-69.
The Art Institute of Chicago, Agnes Allerton Gallery, Selected Textile Acquisitions Since 1978, July 10–October 10, 1982
The Art Institute of Chicago, Agnes Allerton Gallery, Vestments and Liturgical Textiles from the Permanent Collection, July 27–October 9, 1983
The Art Institute of Chicago, Elizabeth F. Cheney and Agnes Allerton Textile Galleries, European Textile Masterpieces from Coptic Times through the 19th Century, September 27, 1989–January 22, 1990
The Art Institute of Chicago, Gallery 142, Glad Tidings of Great Joy: Christmas at The Art Institute of Chicago, November 18, 1994–January 17, 1995
The Art Institute of Chicago, Department of European Decorative Arts, Gunsaulus Hall, April 10- September 10, 1996
The Art Institute of Chicago, Elizabeth F. Cheney and Agnes Allerton Textile Galleries, An International Collection of Appliquéd, Embroidered and Pieced Bedcoverings, February 28–May 28, 2001
The Art Institute of Chicago, Department of European Decorative Arts, Gunsaulus Hall, August 6- December 15, 2004
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