Statuette of Wesir-nakht

Arts of Africa

Late Period, Dynasty 31 (about 342–332 BCE)

Egyptian

This statue demonstrates the permanence of Egyptian artistic styles. The man’s kilt, his broad collar, and even the style of his wig deliberately copy earlier styles, which harken back more than 2000 years. Wesirnakht is portrayed kneeling before a god with his arms on his thighs in a pose of reverence.

Status: Currently Off View
Department: Arts of Africa

Culture: Ancient Egyptian
Title: Statuette of Wesir-nakht
Place: Egypt (Object made in)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 342 BCE–332 BCE
Medium: Stone
Inscriptions: Illuminating inscription on plinth: "...the revered in the presence of Osiris...in Dep and of Horus-the-Great of the two lands, dwelling in the horizon, (namely) the priest of Horus. The bull of his mother, Osirisnakht, son of the clothing-keeper Harotep, born of the house-mistress Tediese..."
Dimensions: 16.5 × 6.6 × 8.5 cm (6 1/4 × 2 5/8 × 3 3/8 in.)
Credit Line: W. Moses Willner Fund
Reference Number: 1910.243
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/64354/manifest.json

Art Institute of Chicago, Thirty-second Annual Report: June 1, 1910–June 1, 1911 (Art Institute of Chicago, 1911), pp. 19, 62.
Thomas George Allen, A Handbook of the Egyptian Collection (Chicago: The Art Institute of Chicago, 1923), pp. 58, 59 (ill.).
Pascal Vernus, Athribis: Textes et documents relatifs à la géographie, aux cultes, et à l’histoire d’une ville du Delta égyptien à l’époque pharaonique (Institut français d’archéologie orientale du Caire, 1978), pp. 191-92 (no. 158, as Oriental Institute 10243).
Karen B. Alexander, “From Plaster to Stone: Ancient Art at the Art Institute of Chicago,” in Karen Manchester, Recasting the Past: Collecting and Presenting Antiquities at the Art Institute of Chicago (Chicago: Art Institute of Chicago; New Haven: Yale University Press, 2012), p. 38.

The Art Institute of Chicago, acquired in 1910.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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Inscriptions

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Department

Culture

Title

Place

Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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Inscriptions

Dimensions

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Reference Number

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.