Te po (The Night) from the Noa Noa Suite

CC0 Public Domain Designation

Prints and Drawings

1893/94

Paul Gauguin
French, 1848-1903

Status: Currently Off View
Department: Prints and Drawings

Artist: Paul Gauguin
Title: Te po (The Night) from the Noa Noa Suite
Origin: France
Date: 1893–1894
Medium: Wood-block print, printed twice in brown and black inks, with selective wiping, and hand-applied red, two tones of orange, yellow, two tones of blue, silver-gray, and black watercolor, on cream laid Japanese paper laid down on cream wove Japanese paper (a laminate made by the artist)
Inscriptions: Monogrammed upper left, in image: "P G O"
Dimensions: 204 × 355 mm (image); 207 × 358 mm (sheet)
Credit Line: Clarence Buckingham Collection
Reference Number: 1948.253
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/63015/manifest.json

Société du Salon d’Automne, Catalogue des ouvrages de peinture, sculpture, dessin, gravure, architecture et art décoratif, exh. cat. (Compagnie Française des Papiers-Monnaie, 1906), cat. 141.
Association Paris–Amerique Latine, Exposition rétrospective: Hommage au génial artiste franco-péruvien Gauguin, with introductions by F. Cossio del Pomar and G. Daniel de Monfreid, exh. cat. (n.p., 1926), cat. 44.
Marcel Guérin, L’oeuvre gravé de Gauguin (H. Floury, 1927; Alan Wofsy Fine Arts, 1980), cat. 15 (ill.).
Musée du Luxembourg, Gauguin: Sculpteur et graveur, exh. cat. (Musée du Luxembourg, 1928), p. 11, cat. 57.
Kunsthalle Basel, Paul Gauguin, 1848–1903, exh. cat. (Kunsthalle Basel, 1928), p. 25, cat. 111.
Kunsthalle Basel, Paul Gauguin, 1848–1903, exh. cat., 2nd ed. (Kunsthalle Basel, 1928), p. 30, cat. 221.
Galerien Thannhauser, Paul Gauguin, 1848–1903, introduction by W. Barth, exh. cat. (Galerien Thannhauser, 1928), p. 15, cat. 197.
Leicester Galleries, Catalogue of an Exhibition of the Durrio Collection of Works by Paul Gauguin, exh. cat. (Ernest Brown & Phillips, 1931), p. 5, cat. 4.
Bignou Gallery, Gauguin: First Trip to Tahiti, foreword by Carl O. Schniewind, exh. cat. (Bignou Gallery, 1939), n.pag., cat. 3.
Carl O. Schniewind, “Paul Gauguin,” special issue, Bulletin of the Art Institute of Chicago 43, no. 3 (Sept. 1949), p. 49 (ill.).
Robert Goldwater and Carl O. Schniewind, Gauguin: Loan Exhibition for the Benefit of the Citizens’ Committee for Children of New York City, Inc., exh. cat. (Wildenstein & Co., 1956), p. 22, cat. 78.
Art Institute of Chicago and Metropolitan Museum of Art, New York, Gauguin: Paintings, Drawings, Prints, Sculpture, exh. cat. (Art Institute of Chicago, 1959), p. 81, cat. 141.
Haus der Kunst, Paul Gauguin, with essays by Germain Bazin and Harold Joachim, exh. cat. (Ausstellungsleitung München e.V. Haus der Kunst, 1960), p. 31, cat. 173, pl. 84
Oberes Belvedere, Paul Gauguin, 1848–1903, exh. cat. (Österreichische Galerie im Oberen Belvedere, 1960), p. 45, cat. 87, pl. 32.
Alfred Langer, Paul Gauguin (VEB E.A. Seemann, Buch- und Kunstverlag, 1965), pp. 58, 60, 87, pl. 20.
Richard R. Brettell, Françoise Cachin, Claire Frèches-Thory, and Charles F. Stuckey, The Art of Paul Gauguin, with assistance from Peter Zegers, exh. cat. (National Gallery of Art, Washington, D.C./Art Institute of Chicago/New York Graphic Society Books, 1988), p. 81, cat. 141.
Paul Gauguin, Noa Noa, transcription, ed. Pierre Petit, commentary by Bronwen Nicholson (J.-J. Pauvert, 1988), p. 135–36 (ill.).
Elizabeth Mongan, Eberhard W. Kornfeld, and Harold Joachim, Paul Gauguin: Catalogue Raisonné of His Prints, with assistance of Christine E. Stauffer (Galerie Kornfeld, 1988), pp. 104–05, cat. 21 (ill.).
Adam Biro, Gauguin: La bibliothèque des expositions (A. Biro, 1988), p. 66, fig. 40e.21
Anna Maria Damigella, Paul Gauguin: La vita e l’opera (Mondadori, 1997), p. 188 (ill.).
Javier González de Durana, Miriam Alzuri, and María Amezaga, Francisco Durrio (1868–1940): Sobre las huellas de Gauguin, exh. cat. (Museo de Bellas Artes de Bilbao, 2013), p. 220, no. 11.

Paris, Grand Palais des Champs-Elysees, “Salon d’Automne,” 1906, cat. 141.
Paris, Association Paris Amerique Latine, “Exposition Retrospective: Hommage au Génial Artiste Franca-Péruvien Gauguin,” December 17, 1926, cat. 44.
Paris, Musée du Luxembourg, “Gauguin: Sculpteur et Graveur,” January–February, 1928, p. 11, cat. 57.
Kunsthalle Basel, “Paul Gauguin,” July-August, 1928, p. 25, cat. 111 (1st ed.), p. 30, cat. 221 (2nd ed.).
Berlin, Galerien Thannhauser, “Paul Gauguin: 1848-1903,” October 1928, p. 15, cat. 197.
London, The Leicester Galleries, “Catalogue of an Exhibition of the Durrio Collection of Works by Paul Gauguin (1848-1903),” May-June, 1931, p. 5, cat. 4.
New York, Bignou Gallery, “Gauguin: First Trip to Tahiti,” January 3–14, 1939, cat. 3.
New York, Wildenstein, “Gauguin,” April 5-May 5, 1956, p. 22, cat. 78.
The Art Institute of Chicago, “Gauguin: Paintings, Drawings, Prints, Sculpture,” February 12-March 29, 1959, p. 81, cat. 141; traveled to the Metropolitan Museum of Art, New York, April 21-May 31, 1959.
Munich, Haus der Kunst, “Paul Gauguin,” April 1-May 29, 1960, p. 31, cat. 173, pl. 84 (ill.).
Vienna, Österreichische Galerie im Oberen Belvedere, “Paul Gauguin,” June 7-July 31, 1960, p. 45, cat. 87, pl. 32.
Washington, D.C., National Gallery of Art, “The Art of Paul Gauguin,” May 1-July 31, 1988, p. 322, cat. 168(ill.); traveled to The Art Institute of Chicago, September 17-December 11, 1988.
The Art Institute of Chicago, “Gauguin: Artist as Alchemist”, June 25 - September 10, 2017, pp. 16, 252, 255, cat. 198, cat. by Gloria Groom, et. al., traveled to Paris, Réunion des musées nationaux - Grand Palais, October 9, 2017 - January 21, 2018.

Francisco “Paco” Durrio (1868-1940), Paris [Kornfeld 1988]. Sold by Walter Geiser, Basel, to the Art Institute, 1948.

Guérin 15 I/II

Kornfeld 21 III/IV

Schniewind 14 II/III

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

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