Glass workshops outside the walls of Jerusalem mass-produced a series of hexagonal and octagonal jugs with Christian or Jewish symbols on their sides. The vessels with Christian symbols, like this example, have images of the cross alternating with diamond shapes. Such vessels were probably filled with oil from holy sites and sold to pilgrims.
Date
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Wanda Odell, “Ancient Glass: The Mr. and Mrs. Theodore W. Robinson Collection, Gallery 5A, The Art Institute of Chicago,” 1940, unpublished catalogue in curatorial object file, Art Institute of Chicago.
Kurt T. Luckner, Ancient Art at The Art Institute of Chicago. The Art Institute of Chicago Museum Studies (1994), Vol. 20, No. 1, Cat. no. 67, pp. 88, 91 (ill. p. 31).
Christina M. Nielsen, Devotion and Splendor: Medieval Art at the Art Institute of Chicago, Art Institute of Chicago Museum Studies 30, 2 (2004), pp. 23-25, cat. 6.
Art Institute of Chicago, Ancient Glass, Mr. and Mrs. Theodore W. Robinson Collection, June 28, 1940 –January 1, 1941.
Art Institute of Chicago, Ancient Art Galleries, Gallery 155 A, April 20, 1994 - February 6, 2012.
Art Institute of Chicago, Of Gods and Glamour: The Mary and Michael Jaharis Galleries of Greek, Roman, and Byzantine Art, Gallery 153, November 11, 2012 - July 24, 2018.
Theodore W. and Frances S. Robinson, Chicago, by 1931; given to the Art Institute of Chicago, 1947.
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