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L'Exposition de 1889 (Exposition Universelle; 100th anniversary of French Revolution) (Furnishing Fabric)

A work made of cotton, plain weave; copperplate printed.
CC0 Public Domain Designation

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  • A work made of cotton, plain weave; copperplate printed.

Date:

c. 1890

Artist:

France

About this artwork

Augustus Welby Northmore Pugin was one of the most important early-19th-century designers of Gothic Revival architecture, furniture, and interior decoration. He trained under his French-born father, the architect Augusts Charles Pugin, an authority on medieval buildings. A devout convert to Roman Catholicism in a predominantly Anglican country, the younger Pugin proselytized through his architectural work and in a series of publications issued between 1835 and 1843. For Pugin, the Gothic style expressed the faith and conviction of the Middle Ages and was a necessary counter to the increasing secularism and industrialization of his own time. In addition to chapels and churches, he also designed the liturgical equipment, altars, hangings, and vestments within them. Pugin also adapted the Gothic Revival style for his secular commissions, which included the Houses of Parliament in London.

This chalice was designed by Pugin and produced by the workshop of Hardiman & Company, a firm retained by the architect to make metal implements and fittings for his commissions. The word MODEL is inscribed on its underside, which suggests that the vessel served as a sample to be shown to potential clients. Final, commissioned versions of the chalice would be handcrafted by goldsmiths in precious metals and gemstones, rather than die-struck in Sheffield plate, the silver-plated copper that was commonly used for ordinary metal work.

—About This Object, European Decorative Arts LaunchPad app

Status

Currently Off View

Department

Textiles

Title

L'Exposition de 1889 (Exposition Universelle; 100th anniversary of French Revolution) (Furnishing Fabric)

Place

France (Object made in)

Date  Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

Made 1889–1890

Medium

Cotton, plain weave; copperplate printed

Dimensions

184.6 × 86.3 cm (72 5/8 × 34 in.); Warp repeat: H.: 96.9 cm (38 1/8 in.)

Credit Line

Purchased with funds provided by Martha Borland Willis in memory of Mrs. Chauncey B. Borland

Reference Number

1981.64

IIIF Manifest  The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

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https://api.artic.edu/api/v1/artworks/61739/manifest.json

Extended information about this artwork

Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.

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