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The Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), p. 262.
Terisio Pignatti, Pietro Longhi (Venice, 1968), p.187, no. 137.
Rodolfo Pallucchini, “La pittura veneta del settecento alla mostra itinerante di Chicago-Minneapolis-Toledo,” Art veneta 24 (1970), p. 291.
John Maxon, The Art Institute of Chicago (Chicago, 1970), pp. 262 (ill.) and 283.
Hans Huth, “Italienische Kunstwerke im Art Institute von Chicago, USA,” in Römische Forschungen der Bibliothecae Hertziana (Vienna, 1961), p. 518.
Teriso Pignatti, L’opera completa di Pietro Longhi (Milan, 1974), p. 96, no. 134.
New York, American Federation of Arts, Picture of the Month tour, October 1, 1956–January 31, 1957.
Seattle, Art Museum, Renaissance and Baroque Art, February–March 1950, cat. 68.
Chicago, The Art Institute of Chicago, Painting in Italy in the Eighteenth Century, September 19–November 8, 1970; Minneapolis, Institute of Art, December 3, 1970 –January 10, 1971; Toledo Museum of Art, February 7–March 21, 1971, cat. 27.
Dr. Max Emden (died1941) [according to Registrar’s receipt in curatorial file and letter from Walter Feilchenfeldt, dated August 7, 2002, in curatorial file]; sold by his estate to Walter Feilchenfeldt Sr., Switzerland, 1941; sold to the Art Institute, 1947.
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