The Rommel-Pot Player

• W[ilhelm] Bode, “Die Galerie Gsell in Wien,” Zeitschrift für bildende Kunst, 7 (1872), p. 183.
• Wilhelm Bode, Studien zur Geschichte der holländischen Malerei, Braunschweig, 1883, pp. 51, 86-87.
• Cornelis Hofstede de Groot, A Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century based on the Work of John Smith, trans. Edward G. Hawke, vol. 3, London, 1910, p. 39, no. 137.4.
• Theodor von Frimmel, Geschichte der Wiener Gemäldesammlungen. Lexikon der Wiener Gemäldesammlungen, vol. 2, Munich, 1914, p. 86, no. 38.
• W.R. Valentiner, “Rediscovered Paintings by Frans Hals”, Art in America, 16 (1928), p. 237, fig. 4.
• W. R. Valentiner, Frans Hals Paintings in America, Westport, Connecticut, 1936, p. 9, no. 10, ill.
• Katharine Kuh, “The Worcester Gift,” Bulletin of the Art Institute of Chicago, 41, 5 (1947), pp. 58-59, 61, 63, ill.
• Art Institute of Chicago, Paintings in the Art Institute of Chicago, A Catalogue of the Picture Collection, Chicago, 1961, p. 209, ill. p. 195.
• Seymour Slive, Frans Hals, London, 1970-[1974], vol. 1, pp. 37-39, fig. 21, vol. 3, 117-18, no. L 3.3, fig. 71.
• Claus Grimm and E. G. Montagni, L’opera completa di Frans Hals, Milan, 1974, pp. 90-91, fig. 28c, under no. 28.
• J. Bruyn, “Een onderzoek naar 17de-eeuwse schilderijformaten, voornamelijk in Noord-Nederland,” Oud Holland 93 (1979), pp. 106-107.
• Frima Fox Hofrichter, Judith Leyster: A Woman Painter in Holland’s Golden Age, Doornspijk, 1989, pp. 24, 43-44, 59, no. 11, pl. 11.
• Seymour Slive, Frans Hals, exhib. cat., London, Royal Academy of Arts, 1989, p. 151, 202, figs. 8f, 26b, under nos. 8 and 25-26.
• Koos Levy-van Halm, “Judith Leyster: The Making of a Master”, in Judith Leyster: a Dutch master and her world, exhib. cat., Frans Halsmuseum, Haarlem, 1993, pp. 71-72.
• Pieter Biesboer, “Judith Leyster: Painter of ‘Modern Figures’” in Judith Leyster: a Dutch master and her world, exhib. cat., Frans Halsmuseum, Haarlem, 1993, p. 79.
• Ella Hendriks and Karin Groen, “Judith Leyster: A Technical Examination of Her Work” in Judith Leyster: a Dutch master and her world, exhib. cat., Frans Halsmuseum, Haarlem, 1993, pp. 94, 95, 97, 100, 103, 105, 108, figs. 42 D and Y, 43 P, Q, and R, and 45.
• Frima Fox Hofrichter, “Leyster, Judith” in The Dictionary of Art, vol. 19 (1996), p. 292.
• Dennis P. Weller, Jan Miense Molenaer: Painter of the Dutch Golden Age, exhib. cat., North Carolina Museum of Art, Raleigh, 2002, pp. 79-80, fig. 2.
• Christopher D.M. Atkins, The Signature Style of Frans Hals. Painting, Subjectivity, and the Market in Early Modernity, Amsterdam, 2012, pp. 173-74, 271, n. 52, fig. 101 [mid-treatment photograph].

• Reinhardt Galleries, New York, Loan Exhibition of Paintings of Women and Children by Masters from the Fifteenth to the Twentieth Century, February 23 - March 16, 1929, no. 7, as The Kettle Drum Player, by Frans Hals.
• Detroit Institute of Arts, The Ninth Loan Exhibition. Dutch Genre and Landscape Paintings of the Seventeenth Century, October 16 - November 10, 1929, no. 26, as Frans Hals.
• Detroit Institute of Arts, An Exhibition of Fifty Paintings by Frans Hals. Seventeenth Loan Exhibition of Old Masters, January 10 - February 28, 1935, no. 2, as Frans Hals
• Haarlem, Netherlands, Frans Halsmuseum, Judith Leyster: A Dutch Master and Her World, July 1-September 30, 1937, cat. 24, as Frans Hals; Worcester, MA, Worcester Art Museum, September 18-December 5, 1993.
• Duveen Galleries, New York, Paintings by the Great Dutch Masters of the Seventeenth Century, October 8, - November 7, 1942, no. 12, traveled to the Art Institute of Chicago, November 18 - December 16, 1941, no. 9, as Frans Hals
• North Carolina Museum of Art, Raleigh, Masterpieces of Art. In Memory of William R. Valentiner 1880-1958, April 6 - May 17, 1959, no. 55, as Frans Hals
• Frans Halsmuseum, Haarlem, Judith Leyster: a Dutch master and her world, May 16 - August 22, 1993, traveled to the Worcester Art Museum, Worcester, Mass., September 19 - December 5, 1993, no. 40, as Circle of Frans Hals

Friedrich Jakob Gsell, Vienna, died 1871; his estate sale, Georg Plach, Vienna, 14 March, 1872, no. 38, as Frans Hals for fl. 6,050 to Lützow [according to Frimmel 1914]. Schorer, Berlin, by 1883 [according to Bode 1883]; his sale Groot Bentveld, near Haarlem, April 26-27, 1892, no. 32, for fl. 6,000 to Goedhart [according to annotated catalogue at R.K.D, The Hague, and Hofstede de Groot 1910]. Salomon Goldschmidt Junior, Frankfurt-am-Main, by 1910 [according to Hofstede de Groot 1910]. William J. McAneeny, Detroit, by 1929, died 1935; his widow until 1936 [lent to New York 1929 and Detroit 1935]. Karl Lilienfeld Galleries, New York, by 1936, until 1938 [Lilienfeld shipped the painting to the Art Institute for purchase consideration, April 9, 1936, receipt R 5993, lent it to Haarlem 1937, and sent it to the Art Institute again on September 28, 1938, receipt R 6680 in Registrar’s records]; sold by Lilienfeld to Charles H. Worcester, Chicago, 1938 [Art Institute registrar’s shipping order 27321 shows it was sent to Charles Worcester for purchase consideration in October 1938]; given to the Art Institute, 1947.