After Cézanne

Prints and Drawings

1916

Juan Gris
Spanish, 1887-1927

Status: Currently Off View
Department: Prints and Drawings

Artist: Juan Gris
Title: After Cézanne
Place: Spain (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1916
Medium: Graphite on ivory laid paper
Inscriptions: Signed recto, lower left center, in graphite: "D'apres Cezanne/Juan Gris 1916"
Dimensions: 39.5 × 30.7 cm (15 9/16 × 12 1/8 in.)
Credit Line: Margaret Day Blake Fund Income
Reference Number: 1980.82

Der Cicerone 21:23 (December 1929), p. 678 (ill.).
Galerie Alfred Flechtheim, Seit Cézanne in Paris, exh. cat. (Berlin, 1929) (ill.).
Dorothy Kosinski and John Richardson, Douglas Cooper und die Meister des Kubismus, exh. cat. (Basel, Switzerland, 1987), p. 99.
Kenneth E. Silver, Esprit de Corps: The Art of the Parisian Avant-Garde and the First World War 1914–1925 (Princeton, N. J., 1989), pp. XVI and 162, fig. 119.
Emmanuel Bréon, Juan Gris à Boulogne (Paris, 1992), p. 17 (ill.).

Berlin, Galerie Alfred Flechtheim, “In Memoriam: Juan Gris,” February 1930, n.p., cat. 61.
Zurich, Kunsthaus Zurich, “Juan Gris,” April 2–26, 1933, p. 5, cat. 7.
New York, Buchholz Gallery, “Cubism: Braque, Gris, Laurens, Léger, Lipchitz, Picasso,” April 5–30, 1949, n.p., cat. 10 (ill).
New York, Buchholz Gallery, “Juan Gris,” January 16–February 11, 1950, n.p., cat. 39 (ill).
New York, Museum of Modern Art, “Juan Gris,” April 9–June 1, 1958, p. 118 (ill.); traveled to the Minneapolis Institute of Arts, June 24–July 24, 1958, the San Francisco Museum of Art, August 11–September 14, 1958, and the Los Angeles County Museum, September 29–October 26, 1958.
London, Tate Gallery, “The Essential Cubism,” April 4–July 9, 1983, pp. 190–191, cat. 88 (ill.).
Madrid, Salas Pablo Ruiz Picasso, “Juan Gris,” September 24–November 24, 1985, pp. 51–52, 310, and 344, cat. 136, fig. 14.
Madrid, Museo Nacional Centro de Arte Reina Sofía, “Juan Gris: Paintings and Drawings 1910–1927,” June 22–September 19, 2005, pp. 197–198, cat. 193 (ill.).

Possibly to Galerie de l’Effort Moderne, Paris, c. 1916 [according to London 1983; primary source documentation for this information has not been located to date]. With Galerie Alfred Flechtheim, Berlin, c. 1921 to at least Apr. 26, 1933 [according to London 1983, Berlin 1929, Berlin 1930, and Zurich 1933 (as lender)]; sent to Daniel Henry Kahnweiler, Galerie Simon, Paris, Nov. 1933 [Künsthaus Zürich Archive, Nov. 3, 1933]. Sent by Gustav Kahnweiler to Mayor Gallery, London, May 14, 1938 [Mayor Gallery log book, no. 2687]; taken by Gustav Kahnweiler, Sept. 26, 1938 [Mayor Gallery log book, no. 2687]. With Buchholz Gallery, New York, by 1949 [New York 1949]. Richard S. Davis, Minneapolis and New York, by Aug. 1955 [Museum of Modern Art, New York, Curt Valentin papers, III.A.12]. Possibly Ronald S. and Jo Carole Lauder, New York, until 1980 [according to London 1983; primary source documentation for this information has not been located to date]. John and Paul Herring Company, Inc., New York, by 1980; sold to the Art Institute of Chicago, 1980.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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