Art Institute, The Grant J. Pick Collection, exh. cat. (Chicago: Art Institute, 1970), p. 14 (ill.), as Spring Frolic, c. 1904-05.
Anne Pingeot, Bonnard Sculpteur: catalogue raisonné (Paris: N. Chaudon and Musée d’Orsay, 2006), pp. 16, 72, fig. 61, 74 (ill.), 75-79, as Surtout, 1902.
Rebecca A. Rabinow (ed.) and Douglas Druick, Ann Dumas, Gloria Groom, Anne Roquebert, Gary Tinterow, Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde, exh. cat. (New York and New Haven: Metropolitan Museum of Art and Yale University Press, 2006), pp. 94 (fig. 104, ill.), 333 (cat. 21a, ill.), 334, as Surtout de Table, c. 1902.
New York, Charles E. Slatkin Galleries, Bourdelle: Sculptures and Drawings, Nov. 13–Dec. 8, 1961.
Chicago, Art Institute, The Grant J. Pick Collection, June 20–Aug. 16, 1970, p. 14 (ill.), as Spring Frolic, c. 1904-05.
New York, The Metropolitan Museum of Art, Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde, Sept. 13–Jan. 7, 2007, pp. 94 (ill.), fig. 104, 333 (ill.), cat. 21a, 334, as Surtout de Table, c. 1902; traveled to Chicago, Art Institute, Feb. 17–May 13, 2007; and Paris, Musée d’Orsay, June 18–Sept. 16, 2007 (New York and Chicago only).
Possibly Ambroise Vollard (1866–1939), Paris [New York 2006]. Charles Slatkin, New York [New York 2006]; sold to Grant J. Pick (1910–1963), Chicago, by Dec. 12, 1963 [New York 2006]; bequeathed to the Art Institute of Chicago, Dec. 27, 1963.
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.