IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.
Edna E. Johnson, “American Craft Tradition in Household Art (1650–1850),” Bulletin of the Art Institute of Chicago 39, no. 5 (Sep–Oct 1945), 70 (ill.).
Elizabeth McGoey and Elizabeth Siegel, “Photography + Folk Art at the Art Institute of Chicago,” The Decorative Arts Trust Magazine (Summer 2019), 17, fig. 5 (ill.).
Art Institute of Chicago, Photography + Folk Art: Looking for America in the 1930s, Sep 21, 2019–Jan 19, 2020, no cat.
Bernard Arthur Behrend (1875–1932), by 1932, born Switzerland, later lived in Cincinnati, Wisconsin, Pittsburgh, Boston, and Wellesley Hills, MA; bequeathed to his widow Mrs. Margaret Behrend (née Margaret Plummer Chase, later Mrs. Dudley Phelps Sanford [married 1944, divorced late 1940s], 1895–1982), Wellesley Hills, MA, 1932 [later known as the Dr. and Mrs. Dudley Phelps Sanford Collecton, California]; sold to the Art Institute of Chicago 1946.
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.