Christ and the Samaritan Woman

Prints and Drawings

c. 1510

Giulio Campagnola
Italian, c. 1482-1515/18

Giulio Campagnola invented stipple engraving, a method of using the point of the burin (a tool with diamond-shaped steel shaft) to make numerous small flecks in the metal plate, creating gradated tones instead of the more common linework. This technique approximated painting’s subtle transitions from light to dark values. This print may be after a composition, now lost, by Giorgione or Titian, both of whom were from Venice where Campagnola worked. It illustrates a story from the Gospel of John when Christ meets a woman by a well and asks her for a drink of water before revealing to her that he is the Messiah.

Status: Currently Off View
Department: Prints and Drawings

Artist: Giulio Campagnola
Title: Christ and the Samaritan Woman
Place: Italy (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1505–1515
Medium: Engraving in black on ivory laid paper
Dimensions: Plate: 13.2 × 18.6 cm (5 1/4 × 7 3/8 in.); Sheet: 13.8 × 19.4 cm (5 7/16 × 7 11/16 in.)
Credit Line: Clarence Buckingham Collection
Reference Number: 1945.219
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/53294/manifest.json

Jay A. Levenson, Prints of the Italian Renaissance: A Handbook of the Exhibition, (National Gallery of Art, Washington D.C. 1973), no. 284.

Washington, D.C., National Gallery of Art, “Prints of the Italian Renaissance,” June 23–October 7, 1973; also traveled to San Francisco, California Palace of the Legion of Honor, November 10, 1973–January 13, 1974.

Hind V.200.11 II/II

Borenius 8 II/II

Bartsch XIII.370.2

Galichon 2 II/II

Kristeller 2 II/II

Bartsch, illustrated 2518.002 II/II

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.