Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
Der Sturm, Erster Deutscher Herbstsalon, exh. cat. (Berlin: Der Sturm, 1913), p. 25, cat. 278, as La Maminette.
Jean Lafranchis, Marcoussis: sa vie, son oeuvre… (Paris: Éditions du Temps, 1961), p. 242 no. P.24 (ill.), as Nature Morte: Dominos, Verre, Pipe, 1912.
A. James Speyer and Courtney Graham Donnell, Twentieth-Century European Paintings (Chicago: The Art Institute, 1980), p. 53, no. 2F1, as La Mominette, 1912.
Berlin, Der Sturm, Erster Deutscher Herbstsalon, 1913, cat. 278, as La Maminette.
Berlin, Der Sturm, Gleizes, J. Villon, J. Evola, Toni Donas, Sonia Delaunay, 1921.
Herwarth Walden (1879–1941), Berlin, by 1913 [verso label and Berlin 1913]. Kate Steinitz (1889-1975), New York, by 1941 [verso label]. Paul Kantor Gallery, Los Angeles [verso label]. Maxine Kunstadter, Chicago, by 1978; bequeathed to the Art Institute of Chicago, 1978.
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