Wood-block print in residual brown and black inks, with selective wiping, a transferred twill impression, and touches of hand-applied dark brown ink, on thin, pale-pink wove paper (faded to tan)
Monogrammed lower left, in image: "P G O"
355 × 205 mm (image); 358 × 208 mm (sheet)
Gift of the Print and Drawing Club
Extended information about this artwork
Kleemann Galleries, Paul Gauguin (1848–1903) ([May 1945]), n.pag., cat. 2.
Richard R. Brettell, Françoise Cachin, Claire Frèches-Thory, and Charles F. Stuckey, The Art of Paul Gauguin, with assistance from Peter Zegers, exh. cat. (National Gallery of Art, Washington, D.C./Art Institute of Chicago/New York Graphic Society Books, 1988), p. 336, cat. 172g (ill.).
Richard S. Field, “Noa Noa Suite,” Burlington Magazine 110, no. 786 (Sept. 1968), pp. 505, 507, fig. 25.
Elizabeth Mongan, Eberhard W. Kornfeld, and Harold Joachim, Paul Gauguin: Catalogue Raisonné of His Prints, with assistance of Christine E. Stauffer (Galerie Kornfeld, 1988), pp. 56, 58, cat. 14.
Art Institute of Chicago, Intimate Encounters: Paul Gauguin and the South Pacific; The Edward McCormick Blair Collection, exhibition brochure (Art Institute of Chicago, 2003), not in cat.
New York, Kleemann Galleries, “Paul Gauguin,” May 1945, cat. 2.
Washington, D.C., National Gallery of Art, “The Art of Paul Gauguin,” 1988, p. 336, cat. 172g (ill.).; shown only at The Art Institute of Chicago, September 7-December 10, 1988.
The Art Institute of Chicago, “Intimate Encounters: Paul Gauguin and the South Pacific, The Edward McCormick Blair Collection,” September 6, 2003-January 11, 2004.
Berolzheimer [Kornfeld 1988]. Robert Hartshorne (1866-1927), Highlands, New Jersey [Kornfeld 1988]. Sold by Kleemann Galleries, New York, to the Art Institute, May 11, 1945 [Kleemann invoice no. 6988].
Kornfeld 14 III/IV
Guérin 28 III/IV
Schniewind 20 (19?) III/IV
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