Mark Pringle

Painting and Sculpture of Europe

c. 1797

Sir William Beechey (British, 1753-1839)

Status: Currently Off View
Department: Painting and Sculpture of Europe

Artist: Sir William Beechey
Title: Mark Pringle
Place: England (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1792–1802
Medium: Oil on canvas
Dimensions: 76.2 × 63.8 cm (30 × 25 1/8 in.); Framed: 97.4 × 85.1 × 8.3 cm (38 3/8 × 33 1/2 × 3 1/4 in.)
Credit Line: Gift of Spencer H., Stuart, and Waldo H. Logan in memory of Mr. and Mrs. Frank G. Logan
Reference Number: 1944.700
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/51582/manifest.json

The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, p. 219.
John Wilson, “The Romantics, 1790-1830,” in The British Portrait, 1660-1960, introduction by Sir Roy Strong, Woodbridge, 1991, p. 268. pl. 257.
Malcolm Warner in Susan Wise and Malcolm Warner, French and British Paintings from 1600 to 1800 in The Art Institute of Chicago: Chicago, 1996, pp. 185-188, ill.

Arthur Tooth and Sons, London, by 1919 [according to the mount of a photograph in Witt Library, London]], presumably as a pair with the portrait of Mrs. Pringle, monogrammed and dated 1797, now in the Baltimore Museum of Art. Probably Frank G. Logan, Chicago (d. 1937) [his ownership can be inferred from the joint gift of his sons, see below]; probably at his death to his widow, Jeanette Hancock Logan, Chicago, (d. 1943), by descent to their sons Spencer H. Logan, Stuart Logan, and Waldo Logan; given by them to the Art Institute of Chicago, 1944.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.