The Art Institute of Chicago: 100 Masterpieces (Chicago, 1978), pp. 48–49, no. 12, ill.
Detlev von Hadeln, Paolo Veronese, ed. Gunter Schweikhart (Florence, 1978), p. 122, no. 51.
John D. Morse, Old Master Paintings in North America: Over 3000 Masterpieces by 50 Great Artists (New York, 1979), p. 294.
Terisio Pignatti and Filippo Pedrocco, Veronese: Catalogo completo dei dipinti (Florence, 1991), p. 209, no. 132.
Christopher Lloyd, Italian Paintings before 1600 in the Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1993), pp. 285–9, ill.
Terisio Pignatti and Filippo Pedrocco, Veronese, vol. 2 (Milan, 1995), pp. 337–39, ill.
Art Institute of Chicago, A Century of Progress, June 1–November 1, 1933, no. 141.
Art Institute of Chicago, A Century of Progress, June 1–November 1, 1934, no. 59.
New York, M. Knoedler and Co., Venetian Paintings of the 15th and 16th Centuries, 1938, no. 21.
Art Institute of Chicago, Masterpiece of the Month, August 1938, no cat.
Worcester Art Museum, Massachusetts, The Art of Europe during the XVI–XVII Centuries, April 11–May 16, 1948, no. 4.
Appleton, Wisconsin, Worcester Fine Arts Center, Lawrence College, 1950, no cat.
Birmingham Museum of Art, Alabama, Veronese and His Studio in North American Collections, October 1–November 15, 1972, no cat. no.; traveled to Montgomery Museum of Fine Arts, December 5–December 31, 1972.
Jerusalem, The Israel Museum, Landscape of the Bible: Sacred Scenes in European Master Paintings, Fall 2000, no. 6.
Sold by unknown London dealer to Böhler and Steinmeyer, New York, by 1929 [according to a letter from Julius Böhler to Daniel Catton Rich dated February 17, 1937, in curatorial file]; sold by Böhler and Steinmeyer to Charles H. Worcester, Chicago, 1930; given to the Art Institute, 1930.
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email .