Pen and brown ink, with brush and brown wash, on ivory laid paper
Inscribed verso, lower left, in pen and brown ink: "R. P. R."; upper left, in graphite: "220"; lower left, in graphite: "R4427"; on mount, in graphite: "RPR/ Rembrandt/ Peter and John at the Beautiful Gate_Temple/ From Richardson Sir J. Reynolds and Woodburne collections/ I purchased it at Woodburns sale in 1860/ Roberto Priolo Roupell, G. C."
180 × 292 mm
The Charles Deering Collection
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The Art Institute of Chicago, “Rubens, Rembrandt, and Drawing in the Golden Age”, September 28, 2019 - January 5, 2020, pp. 73, 74 (ill.), 277, 281, 294, 330, cat. 22, cat. by Victoria Sancho Lobis, et. al.
Jonathan Richardson, Sr (1667–1745), London [stamp (Lugt 2184), recto, lower right, in black]. Sir Joshua Reynolds (1723–1792), London [stamp (Lugt 2364), recto, lower right, in black]. Robert Prioleau Roupell (1798–1886), London [inscription (Lugt 2234), verso, lower right, in pen and black ink]. Charles Deering (1852–1927), Chicago; by descent to his daughters, Mrs. Chauncey McCormick (née Marion Deering; 1886–1965), Chicago and Mrs. Richard Ely Danielson (née Barbara Deering; 1885–1957), Chicago; given to the Art Institute of Chicago, 1927.
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