Wooded Landscape with Cottage and Horseman

CC0 Public Domain Designation

Painting and Sculpture of Europe

1663

Meindert Hobbema (Dutch, 1638–1709)

Status: Currently Off View
Department: Painting and Sculpture of Europe

Artist: Meindert Hobbema
Title: Wooded Landscape with Cottage and Horseman
Place: Netherlands (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1663
Medium: Oil on canvas
Inscriptions: Signed: M. Hobbema, 1663
Dimensions: 101.9 × 131.4 cm (40 1/8 × 51 3/4 in.); Framed: 135.5 × 165.5 × 5.1 cm (53 3/8 × 65 1/8 × 2 in.)
Credit Line: Mr. and Mrs. W. W. Kimball Collection
Reference Number: 1922.4460
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/4770/manifest.json

John Smith, A Catalogue Raisonné of the Works of the most Eminent Dutch, Flemish, and French Painters, vol. 6, London, 1835, p. 149, no. 99.
Charles Sedelmeyer Galleries, Illustrated Catalogue of the Second Hundred of Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools Belonging to the Sedelmeyer Gallery, Paris, 1895, no. 17, ill.
Kleinberger Galleries, A Descriptive and Illustrated Catalogue of 150 Paintings by Old Masters of the Dutch, Flemish, German, Italian, Spanish and French Schools from the Kleinberger Galleries, Paris and New York, 1911, p. 46, no. 33, pl. 33.
C. Hofstede de Groot, A Catalogue Raisonné of the Most Eminent Dutch Painters of the Seventeenth Century based on the Work of John Smith, vol. 4, London, 1912, no. 131.
“Notes. The Kimball Collection,” Bulletin of the Art Institute of Chicago, 14 (1920), p. 77.
Art Institute of Chicago, Handbook of Sculpture, Architecture, Paintings, and Drawings, Part II. Paintings and Drawings, Chicago, 1920, p. 59, no. 757.
Marguerite B. Williams, “Valuable Collection of Paintings Added to Chicago’s Art Treasures,” America Today–Fort Dearborn Magazine (1924), p. 26.
Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, Chicago, 1925, p. 140, no. 757.
Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, Chicago, 1932, p. 157, no. 22.4460
Georges Broulhiet, Meindert Hobbema, Paris, 1938, pp. 51, 68-70, 432, no. 415, figs. 415, 532.
Art Institute of Chicago, Paintings in the Art Institute of Chicago. A Catalogue of the Picture Collection, Chicago, 1961, p. 216.
Peter C. Sutton, A Guide to Dutch Art in America, Grand Rapids, Michigan, 1986, p. 69.

Paris, Jeu de Paume, Grands & petits maîtres hollandais, 1911, no. 71.

Thomas Emmerson, London, 1835 [according to Smith 1835]. Possibly David McIntosh sale, London, Christie’s, 16 May, 1857, to Nieuwenhuis [according to manuscript note in Smith’s copy of the Catalogue Raisonné, see Hofstede de Groot 1912]. Adrian Hope, sold Christie’s, London, June 30, 1894, no. 30, for £3,150 to Charles Wertheimer. Charles Sedelmeyer, Paris, by 1985. F. Kleinberger, New York, 1911-1912. Mrs. W. W. Kimball, Chicago, by 1920, when lent to the Art Institute, died 1921; bequeathed to the Art Institute, 1922.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

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