Disputation of Saint Catherine

Painting and Sculpture of Europe

19th century

Artist unknown (Italian, active 19th century)

Status: Currently Off View
Department: Painting and Sculpture of Europe

Artist: Italian
Title: Disputation of Saint Catherine
Place: Italy (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1800–1900
Medium: Ivory
Dimensions: 6.4 × 5.9 × 1.5 cm (2 1/2 × 2 5/16 × 3/8 in.)
Credit Line: Kate S. Buckingham Endowment
Reference Number: 1943.61
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/46221/manifest.json

Meyric R. Rogers, “Decorative Arts,” Bulletin of the Art Institute of Chicago: Report for the Year 1943 38, 3 (1944), pp. 16–17.
Meyric R. Rogers and Oswald Goetz, Handbook to the Lucy Maud Buckingham Medieval Collection (Chicago, 1945), p. 70, no. 52.
Jaap Leeuwenberg, “Early Nineteenth-Century Gothic Ivories,” Aachener Kunstblätter 39 (1969), p. 135, fig. 38.

Art Institute of Chicago, “Masterpieces of Craftsmanship from Medieval Church Treasuries,” 8 October – 30 November 1942 [no cat.].

Salomon collection, Berlin, before 1917; sold, Rudolph Lepke’s Kunst–Auctions–Haus, Berlin, May 15, 1917, Skulpturen–Sammlung aus Berliner privatbesitz, lot 103, as “Johannes der Täufer vor Herodes.” Harry Fuld (died 1932), Frankfurt, before 1932 [according to copy of donor card in registrar’s office; see also Rogers 1944]; by descent to his widow, Lucie Mayer-Fuld (née Cajzago) and by extension to her second husband, Acatiu Mayer-Fuld, Berlin, Biarritz, and New York, 1932 [according to copy of incoming shipping receipt in curatorial file; see also letter from Hans Strauss to Ardelia Hall, April 12, 1950, copy in curatorial file]; sold, through Raphael Stora, to the Art Institute, 1942.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.