Children Sitting on a Fence

Prints and Drawings

1874

Winslow Homer
American, 1836-1910

During the years of Reconstruction (1865–1876), children and childhood were popular subjects in art and literature, representing both the nation’s hope for the future and its nostalgia for the simpler, more innocent era that preceded the great social and economic upheavals of the Civil War. Homer understood and fostered this conception of childhood; small groups of children in rural settings dominate his work of the early 1870s. The graphite study Children Sitting on a Fence, on which the watercolor Children on a Fence (1874) is based, shows how Homer used monochrome drawings to study figure relationships and to map out the primary patterns of light and shadow. Although the small figure group of children poised on the upper rail of a fence remains essentially the same between the drawing and the watercolor, the white highlights on the children’s hats and bodies in the drawing differ from the highlights Homer employed in the watercolor, suggesting that his treatment of light was sometimes improvised away from the scene. His preparatory drawings served as guides but did not prevent experimentation in the studio.

Status: Currently Off View
Department: Prints and Drawings

Artist: Winslow Homer
Title: Children Sitting on a Fence
Place: United States (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1874
Medium: Various graphites, heightened with opaque white watercolor, on medium weight, slightly textured gray wove paper
Inscriptions: Signed recto, lower right corner, in graphite: "W.H. 74" Inscribed verso, lower left corner, in graphite: "Original drawing by Winslow Homer"
Dimensions: 19.3 × 23.9 cm (7 5/8 × 9 7/16 in.)
Credit Line: The Charles Deering Collection
Reference Number: 1927.3522
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/45349/manifest.json

Bulletin of The Art Institute of Chicago 22 (1928), p. 66.
Gordon Hendricks, The Life and Work of Winslow Homer (New York, 1979), pp. 107 and 285, fig. CL–97.
Margaret C. Conrads, “Children on a Fence, 1874,” in Nancy Mowll Mathews (ed.), American Dreams: American Art to 1950 in the Williams College Museum of Art (New York, 2001), pp. 66-68 (ill.).
Lloyd Goodrich and Abigail Booth Gerdts, Record of Works by Winslow Homer. Vol. 2: 1867 through 1876 (New York, 2005), cat. 527 (ill.).

The Art Institute of Chicago, “Selected Drawings from the Charles Deering Collection,” March 24–July 1, 1928, no cat.
The Art Institute of Chicago, “Water Colors and Drawings by Winslow Homer,” October 14–December 4, 1944 (Gallery 13), no cat.
The Art Institute of Chicago, “Watercolors by Winslow Homer: The Color of Light,” February 16-May 11, 2008, pp. 42 (ill.), 43, 49, 92, cat. by Martha Tedeschi and Kristi Dahm.

Given by Mrs. Chauncey McCormick (née Marion Deering; 1886–1965) and Mrs. Richard E. Danielson (née Barbara Deering; 1888–1987) to the Art Institute, 1927.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

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