The Bathers

• Lionello Venturi, Cézanne, son art, son oeuvre (Paris, 1936), vol. 1, p. 192, no. 722, vol. 2, pl. 238.
• Clarence Bulliet, Apples and Madonnas (New York, 1930), p. 49.
• The Studio 106 (October 1933), p. 200.
• D. Odenheimer, “Mrs. Robert R. McCormick, Painter and Collector,” The Art Institute Bulletin 34 (April-May, 1940), p. 60 (ill.).
• “McCormick Art Given to Chicago,” Art Digest (December 15, 1942), p. 19.
• Edgar Allan Jewell, Paul Cézanne (New York ,1944) , p. 34 (ill.).
• Liliane Brion-Guerry, Cézanne et l’expression de l’espace (Paris, 1950), fig. 28.
• James Speyer, “Twentieth-Century European Painting and Sculpture,” Apollo 84 (September 1966), p. 222.
• The Art Institute of Chicago Quarterly no. 1 (February 1952), pp. 2-8.
• Gertrude Berthold, Cezanne und die alten Meister (Stuttgart, 1958), p. 43, fig. 58.
• The Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), pp. 73, 326 (ill.).
• Fritz Novotny, Paul Cezanne, 1839-1906 (London, 1961), p. 41.
• Liliane Brion-Guerry, Cézanne et l’expression de l’espace (Paris, 1966), p. 193.
• John Maxon, The Art Institute of Chicago (New York, 1970), pp. 105-104 (ill).
• Kurt Badt, Das Spätwerk Cézannes (Konstanz, 1971), p. 21 (ill.).
• S. Geist in Art International (November 20, 1975), p. 12 (ill.).
• Theodore Reff, “Cézanne’s Late Bather Paintings,” Arts Magazine (October 1977), p. 118, fig. 9.
• R. Kendall, ed., Cézanne by Himself (London, 1988), p. 262 (ill.).
• K. Adler in Art in America (April 1990), p. 237 (ill.).
• Michael Howard, Cézanne (London, 1990), pp. 152-153 (ill.).
• Mary Louise Krumrine, “Cézanne’s ‘Restricted Power’: Further Reflections on the ‘Bathers’,” Burlington Magazine (September 1992), p. 592.
• John Rewald, The Paintings of Paul Cézanne: A Catalgoue Raisonné (New York, 1996), vol. 1, p. 512-13, no. 859, vol. 2, p. 301 (ill.).
• Philip Conisbee and Denis Coutagne, Cézanne in Provance, exh. cat. (Washington: National Gallery of Art; Aix-en-Provence: Musée Granet; Paris: Reunion de musées nationaux, 2006), 239, 253 cat. 126, 323.
• The Age of Impressionism at the Art Institute of Chicago (New Haven and London, 2008), cat. 68, pgs. 142, 143 (ill.).

• New York, Paul Rosenberg & Co. at Wildenstein Galleries, Loan Exhibition of Paintings by Paul Cezanne 1839-1906, January 1928, cat. 8.
• New York, Museum of Modern Art, Summer Exhibition: Retrospective, June-September 1930, cat. 15.
• Chicago, Renaissance Society of the University of Chicago, Exhibition of Modern French Paintings, January 22-February 2, 1929, no cat.
• The Art Institute of Chicago, A Century of Progress Exhibition of Paintings and Sculpture, June 1-November 1, 1933, cat. 306.
• The Art Institute of Chicago, A Century of Progress Exhibition of Paintings and Sculpture, June 1-November 1, 1934, cat. 291.
• The Art Institute of Chicago, Masterpiece of the Month, December 1943, no cat.
• Cincinnati Art Museum, Paintings by Paul Cézanne, February 5-March 9, 1947, cat. 12 (ill.).
• Oberlin College, Exhibition, May 1950, no cat.
• The Art Institute of Chicago and New York, Metropolitan Museum of Art, Cézanne, Paintings, Watercolors and Drawings: A Loan Exhibition, April 4-May 18, 1952, cat. 98 (ill.).
• Edinburgh, Royal Scottish Academy, An Exhibition of Paintings by Cézanne, August 20-September 18, 1954, cat. 60 (ill.), traveled to London, Tate Gallery, September 29-October 27, 1954.
• Cleveland Museum of Art, Venetian Tradition, November, 1956-January, 1957, no cat.
• San Francisco Museum of Art, Man: Glory, Jest and Riddle: A Survey of the Human Form through the ages, November 10, 1964-January 3, 1965, cat. 238 (ill.).
• Washington, D.C., Phillips Collection, Cézanne Exhibition to Honor the Fiftieth Anniversary of the Founding of the Phillips Collection, February 27-March 28, 1971, cat. 29 (ill.), traveled to The Art Institute of Chicago, April 17-May 16, 1971 and Boston, Museum of Fine Arts, June 1-30, 1971.
• New York, Museum of Modern Art, Cézanne: The Late Work, October 7, 1977-January 3, 1978, cat. 38, traveled to Houston, Museum of Fine Arts, January 25-March 21, 1977 and Paris, Galeries nationales du Grand Palais, April 20-July 23, 1978.
• Liège, Musée Saint Georges, Cézanne, March 12-May 9, 1982, cat. 28 (ill.), traveled to Aix-en-Provance, Musée Granet, June 12-August 31, 1982.
• Tokyo, Seibu Museum of Art, The Impressionist Tradition: Masterpieces from the Art Institute of Chicago, October 18-December 17, 1985 cat. 52 (ill.), traveled to Fukuoka Art Museum, January 5-February 2, 1986 and Kyoto Municipal Museum of Art, March 4-April 13, 1986.
• Basel, Kunstmuseum, Paul Cézanne: Die Badenden, September 10 - December 10, 1989, cat. 68, fig. 193.
• Paris, Galeries nationales du Grand Palais, Cézanne, September 25, 1995-January 7, 1996, cat. 220 (ill); traveled to London, Tate Gallery, February 8-April 28, 1996 and Philadelphia Museum of Art, May 26-August 18, 1996.
• Washington, DC, National Gallery of Art, Cézanne in Provence, January 29–May 7, cat. 126, 2006; Aix-en-Provence, Musée Granet, June 9–September 7, 2006.
• Fort Worth, Tex., Kimbell Museum of Art, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–November 2, 2008, cat. 68 (ill.).

Jacques Zoubaloff (1876-1941), Paris; Sale, Paris, Galerie Georges Petit, June16-17, 1927, lot 113 (ill.). Jos. Hessel, Paris [according to Rewald 1996]. Paul Rosenberg and Co., Paris, 1928 [see New York 1928]. Chester H. Johnson Gallery, Chicago [according to Chicago 1933]. Mrs. Robert R. McCormick (died 1939), Chicago by 1929 [see Chicago1929 exhibition materials, Archives of American Art, copy in curatorial file]; Colonel Robert R. McCormick; given to the Art Institute, 1942.

Rewald 859