Second-state impression laid down on first-state impression
Wood-block print of second state in black ink on lunette-shaped, thin ivory Japanese paper, laid down on wood-block print of first state in brownish-black ink on lunette-shaped ivory wove paper
Monogrammed upper left, in image: "P G"
231 × 202 mm (image/primary/secondary support)
Gift of the Print and Drawing Club
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Carl O. Schniewind, “Paul Gauguin,” The Bulletin of the Art Institute of Chicago 43:3 (September 1949), cover ill.
The Art Institute of Chicago, Gauguin Prints (Chicago, 1959), n.p. (ill.).
Anna Maria Damigella, Paul Gauguin: La vita e l’opera (Milan, 1997), p. 231 (ill.).
Laurence Madeline, Ultra-Sauvage Gauguin Sculpteur (Paris, 2002), p. 202 (ill.).
Dario Gamboni, “Parahi te marae: où est le temple?” La Revue du Musée d’Orsay, 48/14 no. 20 (Paris, 2005), pp. 10, 14, fig. 8 (ill.).
Tobia Bezzola and Elizabeth Prelinger, Paul Gauguin: The Prints (Zürich, 2012), exh. cat., p. 105.
Dario Gamboni, Paul Gauguin: au “centre mystérieux de la pensée” (Dijon, 2013), pp. 297, 300, 415.
New York, Wildenstein, “Gauguin,” April 5-May 5, 1956, p. 23, cat. 93.
The Art Institute of Chicago, “Gauguin: Paintings, Drawings, Prints, Sculpture,” February 12-March 29, 1959, p. 88, cat. 176; traveled to the Metropolitan Museum of Art, New York, April 21-May 31, 1959.
Munich, Haus der Kunst, “Paul Gauguin,” April 1-May 29, 1960, p. 35, cat. 195, pl. 83 (ill.).
Vienna, Österreichische Galerie im Oberen Belvedere, “Paul Gauguin,” June 7-July 31, 1960, p. 46, cat. 98, pl. 30.
The Art Institute of Chicago, “Graphic Tours: Travel and 19th French Works on Paper,” January 14-April 17, 1994.
The Art Institute of Chicago, “Gauguin: Artist as Alchemist”, June 25 - September 10, 2017, pp. 17, 304, 310, 311, cat. 255, cat. by Gloria Groom, et. al., traveled to Paris, Réunion des musées nationaux - Grand Palais, October 9, 2017 - January 21, 2018.
Sold by Jean Goriany, New York, to the Art Institute, 1942.
Guérin 60 and 61
Kornfeld 53 I and II/II, B.a
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