Girl in Plumed Hat (Mlle Antoinette)

Prints and Drawings

1919

Henri Matisse
French, 1869-1954

Status: Currently Off View
Department: Prints and Drawings

Artist: Henri Matisse
Title: Girl in Plumed Hat (Mlle Antoinette)
Place: France (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1919
Medium: Pen and black inks on cream wove paper
Inscriptions: Signed recto, lower right corner, in graphite: "Henri-Matisse"
Dimensions: 27 × 36.6 cm (10 11/16 × 14 7/16 in.)
Credit Line: Gift of the Arts Club of Chicago
Reference Number: 1927.1616
Copyright: © 2018 Succession H. Matisse / Artists Rights Society (ARS), New York

Alfred H. Barr,Jr., Matisse: His Art and His Public (New York, 1951), pp. 201, 429 (ill.), as The Plumed Hat, Le chapeau à plumes.
Stephen Longstreet, The Drawings of Henri Matisse (Borden Publishing, 1973), n. pag. (ill.).
Arts Club of Chicago, Sixty Years on the Arts Club Stage, exh. cat. (Arts Club of Chicago, 1975), p. 9.
J. Meder, Mastery of Drawing (1978), p. 298 (ill.).
Pierre Schneider, Matisse (Flammarion, 1984), pp. 164 (ill.), 593. Translated by Michael Taylor and Bridget Strevens Romer as Matisse (Rizzoli, 1984), pp. 164 (ill.), 594.
Gilles Néret, Matisse (1991), p. 111 (ill.), cat. 167, as Antoinette with a Plumed Hat, Right Profile.
Sarah Wilson, Matisse (Rizzoli, 1992), pp. [86], fig. 104; 127, no. 104.
Guy-Patrice Dauberville and Michel Dauberville, Matisse II (Paris, 1995), pp. 762, 763 (ill.), 1436, 1461, and 1465, cat. 304.
“Girl in Plumed Hat (Mlle Antoinette),” in Matisse Paintings, Works on Paper, Sculpture, and Textiles at the Art Institute of Chicago, ed. Stephanie D’Alessandro (Chicago: Art Institute of Chicago, 2019), cat. 29, https://publications.artic.edu/matisse/reader/works/section/24/24_anchor.

Arts Club of Chicago, French Water Colors and Drawings Assembled by Mr. Pierre Matisse, Nov. 6–14, 1925, no cat.
The Art Institute of Chicago, “A Century of Progress,” June 1–November 1, 1933, p. 101, cat. 1034, as Study for White Plumes.
Iowa City, University of Iowa, “Six Centuries of Master Drawings,” 1951, cat. 202.
Los Angeles, University of California Art Galleries, “Henri Matisse: Retrospective” January 5–February 27, 1966, pp. 6, 148 (ill.), 197, cat. 163, as The Plumed Hat traveled to The Art Institute of Chicago, March 11–April 24, 1966 and Boston, Museum of Fine Arts, May 11–June 26, 1966.
Baltimore Museum of Art, “Matisse as Draughtsman,” 1971, p. 93 (ill.), cat. 36.
Paris, Musee National d’Art Moderne, “Dessins de Matisse,” May-September 1975, cat. 62; traveled to Brussels, Palais des Beaux Arts, October-November 1975, cat. 56.
Frankfurt am Main, Germany, Städtische Galerie im Städelschen Kunstinstitut, “Französische Zeichnungen aus dem Art Institute of Chicago,” February 10-April 10, 1977, pp. 170-171, cat. 82 (ill.).
London, Hayward Gallery, “The Sculpture and Drawings of Henri Matisse,” October 4, 1984–Janary 6, 1985, pp. 173 (ill.), 263, cat. 49, as Antoinette Wearing Plumed Hat; travelled to NewYork, Museum of Modern Art, February 27–May 14, 1985.
Chicago, Arts Club, “Portrait of an Era: Rue Winterbotham Carpenter and the Arts Club of Chicago, 1916–1931,” September 15–November 1, 1986, n.p., cat. 8 (ill.).
Stuttgart, Staatsgalerie Stuttgart, “Themes and Variations,” December 11, 1993-February 13, 1994.
The Art Institute of Chicago, “Bridget Riley Drawings: From the Artist’s Studio,” September 17, 2022-January 16, 2023.

Sold by the artist to Bernheim-Jeune, Paris, May 13, 1925 [Dauberville 1995]; sold to Pierre Matisse, New York, Dec. 29, 1925 [Dauberville 1995]; sold to the Arts Club of Chicago, 1925; given to the Art Institute, 1927.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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