Hurdy-Gurdy Player

CC0 Public Domain Designation

Prints and Drawings

1695

Cornelis Dusart
Dutch, 1660-1704

Status: Currently Off View
Department: Prints and Drawings

Artist: Cornelis Dusart
Title: Hurdy-Gurdy Player
Place: Holland (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1695
Medium: Pen and black ink, with black chalk and touches of black crayon, on cream Japanese paper
Inscriptions: Inscribed recto, lower right, in ink (or possibly in graphite): "Corn: dúsart, fe,/1695." (rn in Corn with line over them)
Dimensions: 17.7 × 11.5 cm (7 × 4 9/16 in.)
Credit Line: Margaret Day Blake Memorial Fund
Reference Number: 1972.774
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/40127/manifest.json

Shelley Perlove and George S. Keyes (editors), Seventeenth-Century European Drawings in Midwestern Collections (University of Notre Dame Press, 2014), pp. 117, no. 56, 114, 115 (ill.).
Charles Dumas, De Rotterdamse landschapstekenaar Gerard van Rossum (1699-1772) (The Hague, 2015), pp. 255-56 (ill. On p. 256).

Poughkeepsie, New York, Frances Lehman Loeb Art Center, Vassar College, “Time and Transformation in Dutch Art of the Seventeenth Century,” April 8-June 19, 2005; traveled to Sarasota, Fla., John and Mable Ringling Museum of Art, August 20–October 30, 2005.
The Art Institute of Chicago, “Rubens, Rembrandt, and Drawing in the Golden Age”, September 28, 2019 - January 5, 2020, pp. 146-47, 149 (ill.), 294, 323 cat. 47, cat. by Victoria Sancho Lobis, et. al.

Gerard van Rossum (1699–1772), Rotterdam; sold, Amsterdam, Feb. 8, 1773 and days following, lot 199 (sold together with lot 200), to Yver. Jan Tak; sold, Haarlem, Oct. 10-11, 1780, kb D, lot 274, Fouquet. Joannes Baptista Fratacolla; sold, Amsterdam, Apr. 26, 1813, kb A, lot 12, to Gruyter. Jhr. Mr. J. A. Repelaer; sold, The Hague, Nov. 7-8 1967, lot 137. John Nicholas Streep, New York, 1968. Gebr. Douwes Fine Art, Amsterdam, no. 224. Maida and George Abrams, Boston; sold through Robert M. Light, Boston, to the Art Institute of Chicago, 1972.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.