Red chalk, with traces of graphite, on ivory laid paper, laid down on ivory laid paper
292 × 203 mm
The Leonora Hall Gurley Memorial Collection
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Harold Joachim and Suzanne Folds McCullagh, Italian Drawings of the 15th, 16th, and 17th Centuries (Chicago and London, 1979), pp. 119-20, no. 4C1.
Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), pp. 75-6, no. 92 (ill.).
Art Institute of Chicago, “151 Italian Drawings from The Art Institute of Chicago,” Dec. 1979-Mar. 1980, p. 43, no. 42, pl. 49, cat. by Harold Joachim and Suzanne Folds McCullagh; also traveled to the National Gallery of Art, Washington D.C.
The Art Institute of Chicago, “Drawings Rediscovered: Italian Drawings before 1600 in The Art Institute of Chicago,” April 10-June 22, 1997.
Sir Joshua Reynolds (1723-1792), London [stamp (Lugt 2364), recto, lower left]. Arthur Melville Champernowne (born 1871) South Devon [script (Lugt 153), recto, lower left, in pen and black ink]. William F. E. Gurley (1854–1943), Chicago [stamp (Lugt 5308), recto, lower right]; given to the Art Institute of Chicago for the Leonora Hall Gurley Memorial Collection, 1922 [stamp (Lugt 1230b), verso of mount].
McCullagh & Giles 92
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