Double harness

CC0 Public Domain Designation

Prints and Drawings

1897

Henri de Toulouse-Lautrec
French, 1864-1901

Status: Currently Off View
Department: Prints and Drawings

Artist: Henri de Toulouse-Lautrec
Title: Double harness
Place: France (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1897
Medium: Lithograph touched with watercolor on cream wove paper
Inscriptions: Signed lower right, below image, in graphite: "a Stern [sic] / T-Lautrec"; signed with monogram on stone, lower right, below image.
Dimensions: Image: 29.7 × 58.5 cm (11 3/4 × 23 1/16 in.); Sheet: 44.9 × 63 cm (17 11/16 × 24 13/16 in.)
Credit Line: Olivia Shaler Swan Memorial Collection
Reference Number: 1940.797
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/38865/manifest.json

Gustave Coquiot, Lautrec (1913), p. 15 (ill.).
Loys Delteil, Henri de Toulouse-Lautrec (Paris: Delteil, 1920), no. 218.
A. Astre, Henri de Toulouse-Lautrec (1925), p. 107 (ill.).
Maurice Joyant, Henri de Toulouse-Lautrec 2 (Paris, 1927), pp. 99 and 226 (ill.).
M. G. Dortu, Toulouse-Lautrec (Paris, 1952), p. 9 (ill.).
Dorothy Bridalham, “Toulouse-Lautrec in The Art Institute of Chicago,” no. 8 (color ill.).
The Illustrated London News (1953), p. 42 (ill.).
Hanspeter Landolt, Henri de Toulouse-Lautrec: Drawings and Sketches in Colour (New York, 1955), no. 26 (ill.).
Jean Adhémar, Toulouse-Lautrec: His Complete Lithographs and Drypoints (NY: Harry N. Abrams, 1955), no. 260 (ill).
M. G. Dortu, Toulouse-Lautrec 3 (New York, 1971), no. A.254, (ill.).
Harold Joachim and Sandra Haller Olsen, French Drawings and Sketchbooks of the Nineteenth Century II (Chicago, 1979), pp. 103-104, no. 6A4.
Wolfgang Wittrock, Toulouse-Lautrec: The Complete Prints 2 (London, 1985), no. 227.
Goetz Adriani, Toulouse-Lautrec: The Complete Graphic Works, A Catalogue Raisonné (London, 1988), no. 229.

Paris, Musée des Arts Decoratifs, “Exposition H. de Toulouse-Lautrec,” April 9-May 17, 1931, p. 106, cat. 346.
Pittsburgh, Pa., Carnegie Institute, “Paintings, Drawings, Prints, and Posters by Henri de Toulouse-Lautrec,” March 6-April 20, 1947, p. 17, cat. 65 (ill.).
The Art Institute of Chicago, “The Art Institute of Chicago Presents Toulouse-Lautrec,” 1949, p.1 (ill.).
Philadelphia Museum of Art, “Toulouse-Lautrec,” October 29-December 11, 1955, cat. 110 (ill.); traveled to The Art Institute of Chicago, January 2-February 15, 1956.
New York, The Museum of Modern Art, “Toulouse-Lautrec: Paintings, Drawings, Posters, and Lithographs,” March 20-May 6, 1956, p. 47, cat. 70.
The Art Institute of Chicago, “Paintings by Toulouse-Lautrec,” October 4-December 2, 1979, checklist 49.
New York, Wildenstein and Company, “La Revue Blanche,” November 16-December 30, 1983.
New York, The Museum of Modern Art, “Henri de Toulouse-Lautrec,” 1985, cat. 190.

Maurice Loncle, Paris, by 1931 [Paris 1931]. M. Knoedler and Company [according to Dortu 1971]. Sold by Jean Goriany, New York, to the Art Institute, 1940.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.