Solidus (Coin) of Tiberius II

Arts of the Ancient Mediterranean and Byzantium

574–582

Byzantine, minted in Constantinople

Coins were an ideal way for Byzantine emperors to circulate their images throughout the empire and beyond, since they were used to pay for imported merchandise and to pay foreign mercenaries. They could also be employed as powerful vehicles for propaganda, promoting dynastic succession and emphasizing the earthly emperor’s god-given right to rule. Tiberius had an image of a monumental cross in Jerusalem placed on the back of his coin.

This coin is a gold solidi weighing 4.5 grams. From the fourth century on, the solidus was the preferred gold coin issued by Byzantine emperors. The solidus remained essentially unaltered in weight and purity until the tenth century.

Status: Currently Off View
Department: Arts of the Ancient Mediterranean and Byzantium

Culture: Byzantine
Title: Solidus (Coin) of Tiberius II
Place: Byzantine Empire (Minted in)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: Struck 574 CE–582 CE
Medium: Gold
Inscriptions: Obverse: DMTIBCONS TANTPPAVC Reverse: VICTORI AAVCCI CONOB
Dimensions: Diam.: 2 cm (13/16 in.)
Credit Line: Gift of Emily Crane Chadbourne
Reference Number: 1940.15
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/36634/manifest.json

Karen B. Alexander, “From Plaster to Stone: Ancient Art at the Art Institute of Chicago,” in Recasting the Past: Collecting and Presenting Antiquities at the Art Institute of Chicago, by Karen Manchester (Art Institute of Chicago/Yale University Press, 2012), p. 29.

Emily Crane Chadbourne (1871- 1964), Paris, London, and Chicago; given to the Art Institute of Chicago, 1940.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.