The front (obverse) of this coin depicts the god Dionysos crowned with ivy leaves, one of the attributes (along with the grapes he holds on the coin’s back) which identifies him as the god of wine. He is believed to have come from Thrace, where this coin was minted.
Many cities claimed to be the birthplace of Dionysos. One was Maroneia, on the coast of Thrace, which was said to be named after Dionysos’s son Maron. Dionysos was the city’s protective deity and appeared on its coinage crowned with ivy leaves. On the back (reverse) of the coin, the god is seen holding a bunch of grapes.
Date
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Karen B. Alexander. “From Plaster to Stone: Ancient Art at the Art Institute of Chicago.” in Recasting the Past: Collecting and Presenting Antiquities at the Art Institute of Chicago, by Karen Manchester, (Art Institute of Chicago/Yale University Press, 2012) p.29.
The Art Institute of Chicago, Of Gods and Glamour: The Mary and Michael Jaharis Galleries of Greek, Roman, and Byzantine Art, Gallery 151, November 11, 2012 - July 10, 2015.
The Art Institute of Chicago, Dionysos Unmasked: Ancient Sculpture and Early Prints,” Gallery 150 and 154, July 31, 2015 - February 15, 2016.
The Art Institute of Chicago, Of Gods and Glamour: The Mary and Michael Jaharis Galleries of Greek, Roman, and Byzantine Art, Gallery 151, February 25, 2016 - present.
Emily Crane Chadbourne (1871- 1964), Paris, London, and Chicago; given to the Art Institute of Chicago, 1940.
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