Black chalk with stumping, heightened with touches of white chalk, over traces of charcoal, on blue-gray laid paper, discolored to cream, laid down on cream wood pulp board
512 × 388 mm
Dorothy E. Williams Fund
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.
The Art Institute of Chicago, “The Helen Regenstein Collection of European Drawings,” 1974, pp. 18-19, cat. 6 (ill.), by Harold Joachim.
The Art Instituteo of Chicago, “151 Italian Drawings from The Art Institute of Chicago,” 1979-1980, cat. 101, by Harold Joachim and Suzanne Folds McCullagh; also traveled to Washington, D.C., the National Gallery of Art.
Washington, D.C., The National Gallery of Art, “A Tercentenary Exhibition of Drawings, Prints, and Books: Piazzetta,” November 20, 1983-February 26, 1984, cat. 36.
Sold by the artist to Count Johann Matthias von der Schulenburg (died 1747), Venice [invoice]; by descent, Schulenburg family, Germany and Switzerland, to around 1971 [a letter from the Paul Drey Gallery dated May 24, 1971 in curatorial file]; sold to the Paul Drey Gallery, New York, by 1971 [letter mentioned above]; sold to the Art Institute, 1971.
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.