Giacomo Feeding a Dog

CC0 Public Domain Designation

Prints and Drawings

1738/39

Giovanni Battista Piazzetta
Italian, 1682-1754

Status: Currently Off View
Department: Prints and Drawings

Artist: Giovanni Battista Piazzetta
Title: Giacomo Feeding a Dog
Place: Italy (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1738–1739
Medium: Black chalk with stumping, with traces of charcoal, heightened with touches of white chalk, on blue-gray laid paper, discolored to cream, laid down on cream wood-pulp board
Dimensions: 53.5 × 42.2 cm (21 1/8 × 16 5/8 in.)
Credit Line: Helen Regenstein Collection
Reference Number: 1971.326
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/36171/manifest.json

Inventaire de la Gallerie de Feu S. E. Mgr. Le Feldmarechal Comte de Schulenburg, p. 9.
Antonio Morassi, “Settecento Inedito,” Arte Veneta, VI (1952), pp. 85-91.
Alice Binion, “From Schulenburg’s Gallery and Records,” The Burlington Magazine, CXII (May 1970), p. 301.
The Christian Science Monitor (June 2, 1972), p. 8.
Harold Joachim, Italian Drawings and Sketchbooks of the Seventeenth Century in The Art Institute of Chicago (Chicago, 1979), no. 1F5.
Rodolfo Pallucchini, L’Opera Completa del Piazzetta (Milan, 1982), no. D6 (ill.).
James N. Wood and Sally Ruth May, The Art Institute of Chicago: The Essential Guide (Chicago, 1993), p. 207 (ill.).
Treasures from The Art Institute of Chicago, selected by James N. Wood, with commentaries by Debra N. Mancoff (Chicago, 2000), p. 127 (ill.).

The Art Institute of Chicago, “The Helen Regenstein Collection of European Drawings,” 1974, pp. 20-21, cat. 7 (ill.), by Harold Joachim.
The Art Institute of Chicago, “151 Italian Drawings from The Art Institute of Chicago,” 1979-1980, cat. 102, by Harold Joachim and Suzanne Folds McCullagh; also traveled to Washington, D.C., the National Gallery of Art.
Venice, Fondazione Giogio Cini, “G. B. Piazzetta Disegni, Incisioni, Libri, Manoscritti,” 1983, cat. 44.
Washington, D.C, The National Gallery of Art, “A Tercentenary Exhibition of Drawings, Prints, and Books: Piazzetta,” November 20, 1983-February 26, 1984, cat. 33.
The Art Institute of Chicago, “Great Drawings from The Art Institute of Chicago: The Harold Joachim Years 1958-1983,” July 24-September 30, 1985, pp. 46-47, cat. 13 (ill.), cat. by Martha Tedeschi.
Landesmuseums, Hannover, “Venedigs Ruhm im Norden,” December 3, 1991-February 2, 1992, cat. 128D; also traveled to Ehrenhof, the Kunstmuseum Dusseldorf, February 16-April 26, 1992.

Sold by the artist to Count Johann Matthias von der Schulenburg (died 1747), Venice [invoice]; by descent, Schulenburg family, Germany and Switzerland, to around 1971 [a letter from the Paul Drey Gallery dated May 24, 1971 in curatorial file]; sold to the Paul Drey Gallery, New York, by 1971 [letter mentioned above]; sold to the Art Institute, 1971.

Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.

Currently Off View

Status

Department

Artist

Title

Place

Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

Medium

Dimensions

Credit Line

Reference Number

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.

Explore Further

Suggested Terms

Currently Off View

Date:

Artist:

About this artwork

Status

Department

Artist

Title

Place

Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

Medium

Dimensions

Credit Line

Reference Number

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.

Extended information about this artwork

Publication History

Exhibition History

Provenance

Share

Explore Further

Sign up for our enewsletter to receive updates.

Gallery actions

Image actions

Share

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.