IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.
Art Institute of Chicago Annual Report, 1969-70, p. 24.
J. Shearman, The Early Italian Pictures in the Collection of Her Majesty the Queen (1983), under no. 212, pp. 204-5.
Martin von Wagner Museum der Universität Würzburg, Gemäldekatalog, edited by Volker Hoffmann with Konrad Koppe (Würzburg, 1986), p. 153.
Alexander Douglas-Hamilton, 10th Duke of Hamilton (died 1852), Hamilton Palace, Glasgow; by descent to William Douglas-Hamilton, 12th Duke of Hamilton (died 1895); sold Christie’s, London, June 24, 1882, no. 334 as Farrata for £32.11 to Heseltine [Christie’s stock no. stencil: 28OP]; John Postle Heseltine (died 1929), Tatchbury Mount, Hampshire; offered for sale Christie’s, London, June 7, 1918, no. 116 as Sasso Farrata after Procaccini and bought in for £73.10 to Martin (on behalf of Heseltine) [Christie’s stock no. stencil: 117CS]; by descent to Evelyn Heseltine (died 1930) The Goldings, Great Warley, Essex; by descent to his daughter, Mrs. Muriel Evelyn de Rougemont (died 1967), Essex; sold, Strutt & Parker, Essex, October 25, 1967, to Michael Tollemache [information kindly supplied by Michael Tollemache]; Michael Tollemache Fine Art, London; sold Christie’s, London, June 21, 1968, no. 8 as Procaccini for $4284 to F. Maison [Christie’s stock no. stencil: 938RH]. Frederick Mont, New York by 1969; sold to Art Institute, 1969.
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.