Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
London, Grafton Galleries, Manet and the Post-Impressionists, Nov. 8, 1910–Jan. 15, 1911, as Drawing (no. 176).
Renaissance Society of the University of Chicago, An Exhibition of Original Drawings by Masters of the Sixteenth, Seventeenth, and Eighteenth Centuries and Artists of the Present Day, Jan. 9–31, 1940, no cat.
Renaissance Society of the University of Chicago, “Drawings by Contemporary Artists,” May 20-June 10, 1944, n.p., cat. 31.
Los Angeles, UCLA Art Galleries, Henri Matisse Retrospective, Jan. 5–Feb. 27, 1966, cat. 144, as Standing Nude/Nu debout, 1906–07; Art Institute of Chicago, Mar. 11–Apr. 24, 1966; and Boston, Museum of Fine Arts, May 11–June 26, 1966.
Emily Crane Chadbourne (1871-1964), Stone Ridge, NY, by Nov. 1910 [London, 1910 exh. cat.]; given to the Art Institute, 1926.
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