Date
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Transfer drawing in brown and black ink on cream Japanese paper
Dimensions
24.6 × 39.6 cm (9 11/16 × 15 5/8 in.)
Credit Line
Gift of Emily Crane Chadbourne
Reference Number
1926.1535
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Rose Mary Fischkin, “Notes on Some Modern Drawings,” Bulletin of the Art Institute of Chicago 21,3 (Mar., 1927), p. 34 (ill.).
John Rewald, Gauguin Drawings (New York, 1958), p. 37, no. 102 (ill.).
Brian E. Halsey, Paul Gauguin: A Study of the Christ Theme in His Art and Thought (Florida State University, 1972), diss., pp. 237, 241-242, fig. 87.
Marla Prather and Charles F. Stuckey, Gauguin: A Retrospective (New York, 1987), p. 308 (ill.).
Anna Gruetzner Robins, “Manet and the Post-Impressionists’: a Checklist of Exhibits,” in The Burlington Magazine (London, 2010), vol. 152, no. 1293, p. 788.
The Art Institute of Chicago, “A Century of Progress Exhibition of Paintings and Sculpture,” June 1–November 1, 1933, p. 91, cat. 872.
New York, Wildenstein and Company, “Paul Gauguin,” April 3-May 4, 1946, p. 70, cat. 61.
Minneapolis Institute of Arts, “Gauguin in Tahiti,” April 1-May 14, 1950.
New York, Wildenstein and Company, “Gauguin,” April 5-May 5, 1956, p. 21, cat. 74.
The Art Institute of Chicago, “Gauguin: Paintings, Drawings, Prints, Sculpture,” February 12-March 29, 1959, p. 90, cat. 192; traveled to the Metropolitan Museum of Art, New York, April 23-May 31, 1959.
Munich, Haus der Kunst, “Paul Gauguin,” April 1-May 29, 1960, p. 24, cat. 136, pl. 66 (ill.).
Vienna, Österreichische Galerie im Oberen Belvedere, “Paul Gauguin,” June 7-July 31, 1960, p. 42, cat. 59, pl. 26.
Munich, Haus der Kunst, “World Cultures and Modern Art,” June 16-September 30, 1972, p. 267, cat. 1764, organized by Siegfried Wichmann.
Philadelphia Museum of Art, “Paul Gauguin: Monotypes,” March 23-May 13, 1973, p. 125 and 148, cat. 103 (ill.).
Given by Emily Crane Chadbourne to the Art Institute, 1926.
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