Vessel Depicting a Sacrificial Ceremony for a Royal Accession
Date:
750–800, probably 753
Artist:
Late Classic Maya Mexico or Guatemala
About this artwork
This vessel, used to consume a chocolate drink, depicts a key event in a royal Maya accession ceremony, which shows the relationship between human sacrifice and the assumption of power. The expectant king is flanked by servants, musicians, and masked nobles, while a terrified captive—bound to a scaffold—awaits his death. It is probable that the victim was a warrior from a rival community defeated by the prospective king during a coronation war. Such sacrifices were required as proof of a new ruler’s military abilities, provided an offering to his patron gods, and served as a sign of the triumphant reign to follow.
Vessel Depicting a Sacrificial Ceremony for a Royal Accession
Place
Mexico (Object made in)
Date
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Allen Wardwell, “Mayan Treasures at the Art Institute of Chicago,” Apollo: The International Magazine of Arts (June 1972), 487, 488; plate xii; drawing fig. 3.
Anne Paul. History on a Maya Vase. In Archaeology vol. 30, no. 2 (April 1976), pp. 118-126.
Linda Schele and Mary Miller. The Blood of Kings: Dynasty and Ritual in Maya Art, exh. cat. (Kimbell Art Museum, 1986), plate 92, pp. 227-228, 238-239.
Bryan Just, Dancing into Dreams: Maya Vase Painting of the Ik’ Kingdom, exh. cat. (Princeton University Art Museum and Yale University Press, 2012), pp. 30-31, 200-204 (ill.).
Richard Townsend with Elizabeth Pope, Indian Art of the Americas at the Art Institute of Chicago (Chicago: Art Institute of Chicago, 2016), 205, cat. 162 (ill.).
Fort Worth, Kimbell Art Museum. The Blood of Kings: Dynasty and Ritual in Maya Art, May 17–Aug. 24, 1986, cat., plate 92; traveled to Cleveland Museum of Art, Oct. 8–Dec. 14, 1986.
Princeton, N. J., Princeton University Art Museum, Dancing into Dreams: Maya Vase Painting of the Ik’ Kingdom, Oct. 6, 2012– Feb. 17, 2013, cat. no. 8 (ill.)
Robert and Marianne Huber Fine Arts (Huber Primitive Art), Dixon, Ill. and New York; sold to Art Institute, 1969.
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