“Appendix 1: Transcription of Manierre Dawson’s Journal, 1908––40,” entries for February 12 and April 2, 1911, in Henry Adams and Randy J. Ploog, Manierre Dawson: American Pioneer of Abstract Art, exh. cat. (Hollis Taggart Galleries, 1999), p. 170.
Art Institute of Chicago Annual Report, 1967–1968, p. 23.
Sandra Grung, Supplement to Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (unpublished, 1971), p. 26, cat. 118D.
Mary Mathews Gedo, “Modernizing the Masters: Manierre Dawson’s Cubist Transliterations,” Arts Magazine, 55, no. 8 (April 1981), p. 138, 140, 142, ill., fig. 12.
Judith A. Barter et al., American Modernism at the Art Institute of Chicago, From World War I to 1955, (Chicago: Art Institute of Chicago/Yale University Press, 2009), cat. 2.
New York, Anderson Gallery, 1911.
Milwaukee Art Institute, Apr 1914.
Milwaukee Art Institute, “International Show,” 1945, cat. 75.
Sarasota, Florida, Ringling Museum of Art, “Manierre Dawson Paintings 1909–1913,” Nov 6–26 1967, cat. 9, pp. 9, 11 (ill.); Palm Beach, Florida, Norton Gallery and School of Art, Jan 26–Feb 18, 1968.
Art Institute of Chicago, “Art in Illinois, in Honor of the Illinois Sesquicentennial,” Jun 15–Sep 8, 1968.
Chicago, Museum of Contemporary Art, “Manierre Dawson (1887–1969): A Retrospective Exhibition of Painting,” Nov 13, 1976–Jan 2, 1977; University of Indiana Art Museum, Jan 18–Feb 20, 1977; and University of Maryland Art Gallery, Mar 29–May 1, 1977.
Grand Rapids Art Museum, “Pioneers: Early 20th Century Art from Midwestern Museums,” Sep 17–Nov 1, 1981, cat. 8 (ill.).
Given by the artist to the Art Institute of Chicago, 1968.
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