The Gallery of Notre-Dame, Paris

CC0 Public Domain Designation

Prints and Drawings

1853

Charles Meryon
French, 1821-1868

Status: Currently Off View
Department: Prints and Drawings

Artist: Charles Meryon
Title: The Gallery of Notre-Dame, Paris
Place: Paris (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1853
Medium: Graphite, squared in red Conté crayon, on ivory laid paper edge-mounted to cream laid card
Inscriptions: Signed lower left corner, in image, in brown ink: "C. Meryon"
Dimensions: 24.8 × 16.5 cm (9 13/16 × 6 1/2 in.)
Credit Line: Clarence Buckingham Collection
Reference Number: 1938.1635
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/28761/manifest.json

Philip Burty, translated by Marcus B. Huish, Charles Meryon, Sailor, Engraver, and Etcher : A Memoir and Complete Descriptive Catalogue of His Works (London : Fine Art Society, 1879), 40.
Frederick Wedmore, A Catalogue of Etchings by Méryon: As Exhibited at No. 168, New Bond Street, November-December, 1902, (London : Obach & Co., 1902), 10.
William Aspenwall Bradley, “Some Meryon Drawings in the MacGeorge Collection,” The Print Collector’s Quarterly, vol. 7:3 (October 1917), pp. 253-54.
Loys Delteil, with the addition of many newly discovered states, and edited by Harold J.L. Wright, Catalogue Raisonné of the Etchings of Charles Meryon (NY: W.P. Truesdell, 1924), 26.
Richard S. Schneiderman ; with the assistance of Frank W. Raysor, II, The Catalogue Raisonné of the Prints of Charles Meryon (London : Garton & Co. in association with Scolar Press, 1990), 29.

Clarence Buckingham Memorial Exhibition, 1915.
Toledo, Ohio, Toledo Museum of Art, “Charles Meryon,” September 29-October 27, 1974; traveled to New Haven, Conn., Yale University Art Gallery, November 21, 1974-January 19, 1975; and the St. Louis Art Museum, February 14-April 6, 1975.
Frankfurt, Germany, Stadelsches Kunstinstitut, “Meryon,” October 22, 1975-May 6, 1976; traveled to The Hague, the Gemeentemuseum, March 27-May 6, 1976.

Sold by Knoedler and Company, New York, to Kate S. Buckingham (1858-1937), Chicago, May 31, 1917 [invoice]; given to the Art Institute, 1938.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.