Thomas Walker and Peter Monamy

CC0 Public Domain Designation

Painting and Sculpture of Europe

c. 1735

Gawen Hamilton (British, 1697-1737)

Status: Currently Off View
Department: Painting and Sculpture of Europe

Artist: Gawen Hamilton
Title: Thomas Walker and Peter Monamy
Place: England (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1730–1740
Medium: Oil on canvas
Dimensions: 61.6 × 53.3 cm (24 1/4 × 21 in.); Framed: 79.4 × 72.8 × 7.4 cm (31 1/4 × 28 5/8 × 2 7/8 in.)
Credit Line: A. A. Munger Collection
Reference Number: 1926.264
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/28102/manifest.json

Austin Dobson, William Hogarth (London, 1902), p. 172.
A. M. Frankfurter, “Art in the Century of Progress,” Fine Arts 20 (May 1933), p. 25, ill.
R. B. Becket, Hogarth (London, 1949), p. 45.
Art Institute of Chicago, Paintings in the Art Institute of Chicago. A Catalogue of the Collection (Chicago, 1961), p. 59.
Gabriele Baldini and Gabriele Mandel, L’Opera completa di Hogarth pittore, Classici dell Arte (Milan, 1967), p. 103, under no. 110.
Malcolm Warner in Susan Wise and Malcolm Warner, French and British Paintings from 1600 to 1800 in the Art Institute of Chicago. A Catalogue of the Collection (Chicago, 1996), pp. 236-39, ill.

Art Institute of Chicago, A Century of Progress, 1933, no. 195, as by Hogarth.
Art Institute of Chicago, A Century of Progress, 1934, no. 141, as by Hogarth.
Hartford, Connecticut, The Wadsworth Atheneum, Pictures within Pictures, 1949-1950, no. 23; traveled to Andover, Massachusetts, as by Hogarth.
Greater London Council, Kenwood, The Iveagh Bequest, The French Taste in English Painting during the First Half of the Eighteenth Century, 1968, as attributed to Hogarth and Monamy.

Sold Christie’s, London, March 22, 1902, lot 43, as by William Hogarth with seapiece by Peter Monamy, to Holmes for 33 gns [annotated sale catalogue in Ryerson Library, Art Institute of Chicago]. Ernest Brown and Phillips, Leicester Galleries, London, by 1926; sold to the Art Institute, 1926.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.