Still Life

Modern Art

1920/24

André Dunoyer de Segonzac
French, 1884-1974

Status: Currently Off View
Department: Modern Art

Artist: André Dunoyer de Segonzac
Title: Still Life
Place: France (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1920–1924
Medium: Oil on panel
Inscriptions: Signed: A Dunoyer de Segonzac in l. r. margin
Dimensions: 53.4 × 43.2 cm (21 × 17 in.)
Credit Line: Helen Birch Bartlett Memorial Collection
Reference Number: 1926.194
Copyright: © 2018 Artists Rights Society (ARS), New York / ADAGP, Paris

Minneapolis Institute of Arts, Exhibition of Modern French Paintings from the Birch-Bartlett Collection, exh. cat. (Minneapolis: Institute of Arts, 1925), n.p. (cat. 20), as Still Life.
F., “The Birch-Bartlett Loan Collection,” Bulletin of The Art Institute of Chicago 19, 7 (October 1925), p. 82.
Boston Art Club, Birch-Bartlett Collection of French Paintings, exh. cat. (Boston: Art Club, 1925), n.p. (cat. 3), as Still Life.
Art Institute, Modern Paintings in the Helen Birch Bartlett Memorial from the Birch-Bartlett Collection (Chicago: Art Institute, 1926), pp. 42, 43 (ill.), as Still Life.
Watson, Forbes, “A Note on the Birch-Bartlett Collection,” Arts 9 (June 1926), p. 312.
Zabel, Morton Dauwen, “An American Gallery of Modern Painting: The Helen Birch-Bartlett Memorial in The Art Institute of Chicago,” Art and Archaeology 26, 6 (December 1928), p. 232.
Art Institute, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute, 1961), p. 133, as Still Life.
Speyer, A. James and Courtney Graham Donnell, Twentieth-Century European Paintings (Chicago: University of Chicago Press, 1980), p. 42 (no. 1G2), as Still Life, early 1920s.
Brettell, Richard R., “The Bartletts and the Grande Jatte: Collecting Modern Painting in the 1920s,” Art Institute of Chicago Museum Studies 12, 2 (1986), p. 106.
“The Helen Birch Bartlett Memorial Collection,” Art Institute of Chicago Museum Studies 12, 2 (1986), p. 222 (no. 5), as Still Life, c. 1920.

Minneapolis, Institute of Arts, Exhibition of Modern French Paintings from the Birch-Bartlett Collection, April 1925, n.p. (cat. 20), as Still Life.
Chicago, Art Institute, Birch-Bartlett Collection of Modern European Paintings, September 8–October 8, 1925, no cat.
Boston Art Club, Birch-Bartlett Collection of French Paintings, December 9–26, 1925, n.p. (cat. 3), as Still Life.

Frederic Clay and Helen Birch Bartlett, Chicago, by Apr. 1925 [Minneapolis 1925]; given to the Art Institute of Chicago, Jan. 27, 1926.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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