Suspension Bell (Bo) 东周时期青铜镈

Eastern Zhou dynasty (770–256 B.C.), first half of 5th century B.C.

China

Status: On View, Gallery 132
Department: Arts of Asia

Title: Suspension Bell (Bo) 东周时期青铜镈
Place: China (Object made in:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 499 BCE–450 BCE
Medium: Bronze
Dimensions: 62.2 × 43.6 × 36.8 cm (24 1/2 × 17 3/16 × 14 1/2 in.)
Credit Line: Lucy Maud Buckingham Collection
Reference Number: 1938.1335
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/27925/manifest.json

A Picture Book of Chinese Bronzes in the Collections of Art Institute of Chicago (Art Institute of Chicago, 1940), p. 8.
Charles Fabens Kelley and Ch’en Meng-chia, Chinese Bronzes from the Buckingham Collection (Art Institute of Chicago/ Lakeside Press, R. R. Donnelly & Sons Lakeside Press, 1946), pp. 80, 258-59, pls. 44-46.
George W. Weber, Jr., The Ornaments of Late Chou Bronzes: A Method of Analysis (Rutgers University Press, 1973), pp. 252-60, pl. 53.
Lothar Alexander von Falkenhausen, Ritual Music in Bronze Age China: An Archaeological Perspective, PhD diss., Harvard University, 1988, pp. 504-5.
Shikago Bijutsukan, Chugoku bijutsu meihen ten: Masterpieces of Chinese Arts from Art Institute of Chicago (Osaka: Osaka Shiritsu Toyo Toji Bijutsukan, Atami: MOA Bijutsukan, Tokyo: Idemitsu Bijutsukan, 1989), cat. 9, p. 133, p. 22 (ill).
Colin Mackenzie, “Adaptation and Invention: Chinese Bronzes of the Eastern Zhou and Han Periods, Orientations 24, 6 (June 1993), pp. 59-71, fig. 9.
Elinor Pearlstein and James T. Ulak, Asian Art in the Art Institute of Chicago (Art Institute of Chicago / Harry N. Abrams, 1993), pp. 22-24 (ill.).
Elinor Pearlstein, “Bell (Bo cheng)” in The Silk Road and Beyond: Travel, Trade, and Transformation (The Art Institute of Chicago, 2007), p. 81-2, (ill.) 82.

Museum of Oriental Ceramics, Osaka, Shikago Bijutsukan, Chugoku bijutsu meihinten: Masterpieces of Chinese Arts from Art Institute of Chicago, Feb. 11-March 21, 1989; traveled to MOA Museum of Art, Tokyo, April 1-May 7, 1989, Idemitsu Museum of Arts, Tokyo, May 16-June 19, 1989.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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