Auti te pape (Women at the River), from the Noa Noa Suite

CC0 Public Domain Designation

Prints and Drawings

1894

Paul Gauguin (French, 1848-1903)
printed in collaboration with Louis Roy (French, 1862-1907)

Status: Currently Off View
Department: Prints and Drawings

Artist: Paul Gauguin
Title: Auti te pape (Women at the River), from the Noa Noa Suite
Origin: France
Date: 1894
Medium: Wood-block print in black ink, over stenciled dark-red ink and a yellow-ink tone block, on cream wove paper (an imitation Japanese vellum)
Inscriptions: Monogrammed lower left, in image: "P G O"
Dimensions: 207 × 358 mm (image); 246 × 395 mm (sheet)
Credit Line: Albert Roullier Memorial Collection
Reference Number: 1926.97
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/27671/manifest.json

Wildenstein & Co., A Loan Exhibition of Paul Gauguin, for the Benefit of the New York Infirmary, with an essay by Raymond Cogniat, exh. cat. (Wildenstein & Co., 1946), p. 72, cat. 70.
Art Institute of Chicago and Metropolitan Museum of Art, New York, Gauguin: Paintings, Drawings, Prints, Sculpture, exh. cat. (Art Institute of Chicago, 1959), p. 85, cat. 162.
Haus der Kunst, Paul Gauguin, with essays by Germain Bazin and Harold Joachim, exh. cat. (Ausstellungsleitung München e.V. Haus der Kunst, 1960), p. 33, cat. 184.
Oberes Belvedere, Paul Gauguin, 1848–1903, exh. cat. (Österreichische Galerie im Oberen Belvedere, 1960), p. 44, cat. 80.
Yoshiaki Inui, Kenji Suzuki, and Takeo Uchiyama, Paul Gauguin, exh. cat. (Shimbun, 1969), cat. 77 (ill.).
Elizabeth Mongan, Eberhard W. Kornfeld, Harold Joachim, Paul Gauguin: Catalogue Raisonné of His Prints, with assistance of Christine E. Stauffer (Galerie Kornfeld, 1988), p. 72, cat. 16.

New York, Wildenstein and Company, “Paul Gauguin,” April 3-May 4, 1946, p. 72, cat. 70.
The Art Institute of Chicago, “Gauguin: Paintings, Drawings, Prints, Sculpture,” February 12-March 29, 1959, p. 85, cat. 162; traveled to the Metropolitan Museum of Art, New York, April 21-May 31, 1959.
Munich, Haus der Kunst, “Paul Gauguin,” April 1-May 29, 1960, p. 33, cat. 184.
Vienna, Österreichische Galerie im Oberen Belvedere, “Paul Gauguin,” June 7-July 31, 1960, p. 44, cat. 80.
Kyoto, The National Museum of Modern Art, “Paul Gauguin,” October 5-November 7, 1969, cat. 77 (ill.); traveled to Tokyo, Grand Magasin Seibu, August 23-September 30, 1969 and Fukuoka, Cultural Center of Fukuoka Prefecture, November 13-December 7, 1969.
The Art Institute of Chicago, “Gauguin: Artist as Alchemist”, June 25 - September 10, 2017, pp. 16, 31, 35, 188, 196, 208, 211, cat. 142, cat. by Gloria Groom, et. al.

Fanny Lastblom [Kornfeld 1988 and inscription on back of print]. Given by Mrs. Albert Roullier and Alice Roullier (1883-1963), Chicago, to the Art Institute, 1926.

Guérin 35 II/II

Kornfeld 16 II/II, C

Schniewind 23 II/B, 2

Cat. 59.3 Auti te pape (Women at the River), 1894

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Auti te pape (Women at the River), from the Noa Noa Suite

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

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