"Untitled"

• Jeanne Greenberg and Robert Nickas, Altered States: American Art in the 90s, exh. cat. (St. Louis, Mo: Forum for Contemporary Art, 1995), 26.
• Jim Lewis, “Master of the Universe” Harper’s Bazaar (Jan. 1995): 130, 131 (ill.), 132-135 (ill.).
• Robert Duffy, “Art Today, Gone Tomorrow: Gonzalez-Torres makes city his canvas,” St. Louis Post-Dispatch Apr. 23, 1995, 3, 8.
• Bonnie Clearwater, Michael Duncan, and Allan Schwartzman, Defining the Nineties: Consensus-Making in New York, Miami, and Los Angeles, exh. cat. (Miami: Museum of Contemporary Art, 1996), 113, cat. 34.
• Dietmar Elger, et. al., Felix Gonzalez-Torres: Catalogue Raisonné, Bd., 2 (Ostfildern-Ruit: Hatje. Cantz Verlag, 1997), 138, cat. 275 (color ill.).
• Nancy Spector, Félix González-Torres: America: United States Pavilion, 52nd Venice Biennale, 2007, exh. cat. (New York: Guggenheim Museum Publications, 2007), cover, 1–3 (color ills), 64, 77.
• Jackie Wullschlager, “American Evolution,” Financial Times, June 9, 2007, 8.
• Sarah Milroy, “Meet the Art World’s Latest Sensation,” The Globe and Mail, June 18, 2007, https://www.theglobeandmail.com/arts/meet-the-art-worlds-latest-sensation/article687975/
• Brett Sokol, “Heads Up: Rehousing a Miami Collection,” New York Times, Nov. 29, 2009, TR3.
• Adriana Herrera, “Rosa de la Cruz” Arte el dia International 129, 2009, (color ill.), https://es.artealdia.com/Noticias/COLECCION-Rosa-de-la-Cruz-y-su-nueva-apuesta-por-el-Arte-Contemporaneo
• Artpace, “Artpace Goes West: Felix Gonzalez-Torres: Billboards,” Artpace, Fall 2010, color ill. https://artpace.org/exhibitions/billboards/
• Artpace, “Artpace Mounts First-Ever Survey of Felix Gonzalez-Torres Billboards,” Press Release, Artpace, Winter/Spring 2009-2010, n.p.
• Mark Getlein, Living with Art, 9th edition, (New York: McGraw-Hill, 2010), 48 (color ill.).
• Mark Getlein, Living with Art, 10th edition, (New York: McGraw-Hill, 2012), 50.
• Amada Cruz and Matthew Drutt, Billboards: Felix Gonzalez-Torres, exh. cat. (Santa Fe, NM: Radius Books, 2014), 30, 31 (color ill.), 43, 128-137 (color ills.).
• Michael Darling, ed., Anne Collier (Chicago: Museum of Contemporary Art, 2014), 13 (color ill.).
• Mark Getlein, Living with Art, 11th edition, (New York: McGraw-Hill, 2016), 50, fig. 2.42 (color ill.), 514, fig. 2.42 (color ill.).
• Mark Getlein, Living with Art, 12th edition, (New York: McGraw-Hill, 2018), 50, fig. 2.42 (color ill.), 514, fig. 2.42 (color ill.).
• General Reference:
• Glenn Ligon, “My Felix,” Artforum 45 (Summer 2007): 125-126, 128 (color ill.).

• New York, Solomon R. Guggenheim Museum, Felix Gonzalez-Torres, Mar. 3–May 10, 1995, not in cat.; Santiago de Compostela, Centro Galego de Arte Contemporánea, Felix Gonzalez-Torres: A Possible Landscape, Dec. 12, 1995–Mar. 3, 1996; Musée d’Art Moderne de la Ville de Paris, Felix Gonzalez-Torres: Girlfriend in a Coma, Apr. 11–June 16, 1996.
• St. Louis, MO, Forum for Contemporary Art, Altered States: American Art in the 90s, Mar. 24–May 6, 1995, no cat. no.
• Miami, Museum of Contemporary Art, Defining the Nineties: Consensus-Making in New York, Miami, and Los Angeles, Feb. 23–Apr. 16, 1996, cat. 34.
• Venice, United States Pavilion, Félix González-Torres: America: United States Pavilion, 52nd Venice Biennale, June 10-Nov. 21, 2007, no cat. no.
• Miami, de la Cruz Collection, Selections from the de la Cruz Collection 2009-2010 Exhibition, 2009-2010, no cat.
• San Antonio, Artpace, Billboards: Felix Gonzalez-Torres, Jan. 11–Dec. 31, 2010, no cat. no. (A series of public billboards installed in 335 locations throughout four cities in Texas,: El Paso, Houston, Dallas and San Antonio, that rotated on a trimester basis, Jan. 11–Apr. 30, 2010; May 6–Aug. 31, 2010; Sept. 2–Dec. 31, 2010).
• Miami, de la Cruz Collection, Selections from the de la Cruz Collection 2010-2011 Exhibition, Dec. 3, 2010–Nov. 1, 2011, no cat.
• Miami, de la Cruz Collection, Selections from the de la Cruz Collection 2011-2012 Exhibition, Dec. 2011–Oct. 2012, no cat.
• Miami, de la Cruz Collection, Selections from the de la Cruz Collection 2012-2013 Exhibition, Dec. 4, 2012–Oct. 12, 2013, no cat.
• Miami, de la Cruz Collection, Looking at Process. Art Basel Miami Beach Exhibition, Dec. 2013–Nov. 2014, no cat.
• Miami, de la Cruz Collection, Beneath the Surface, Dec. 2, 2014–Oct. 31, 2015, no cat.
• Miami, de la Cruz Collection, You’ve Got to Know the Rules to Break Them, Dec. 1, 2015–Nov. 12, 2016, no cat.
• Miami, de la Cruz Collection, Progressive Praxis, Dec. 2016–Nov. 2017, no cat.
• Miami, de la Cruz Collection, Force and Form, Dec. 5, 2017–Nov. 1, 2018, no cat.
• Miami, de la Cruz Collection, More/Less, Dec. 4, 2018–Nov. 1, 2019, no cat.
• Miami, de la Cruz Collection, From Day to Day, Dec. 2019–Nov. 2020, no cat.
• Miami, de la Cruz Collection, A Possible Horizon, Sept. 2020–Nov. 2021, no cat.
• Miami, de la Cruz Collection, There Is Always One Direction, Nov. 30, 2021–Nov. 2022, no cat.
• Miami, de la Cruz Collection, Together at the Same Time, Nov. 2022–Oct. 31, 2023, no cat.
• Miami, de la Cruz Collection, House in Motion / New Perspectives, Nov. 30, 2023–2024, no cat.

The artist; sold through Andrea Rosen Gallery, New York, to Rosa and Carlos de la Cruz, Miami, Feb. 15, 1995 [email correspondence from Andrew Kachel at Andrea Rosen Gallery, Oct. 7, 2024; copy in curatorial object file]; given to the Art Institute of Chicago, Nov. 12, 2024.