Charles François Mallet, Civil Engineer

• Charles Blanc, Ingres, Sa Vie et Ses Ouvrages (Paris, 1870), p. 246.
• Henri Delaborde, Ingres: Sa Vie, Ses Travaux, Sa Doctrine (Paris, 1870), p. 305, no. 359.
• Henry Lapauze, Les Dessins de J.A.D. Ingres du Musée de Montauban (Paris, 1901), p. 267.
• Henry Lapauze, Ingres, Sa Vie & Son Oeuvre (Paris, 1911), p. 98 (ill.).
• “Ingres Considered this Drawing as a Potboiler,” Art Digest (October 1, 1938), p. 13.
• Alexandrine Miller, “Ingres’ Three Methods of Drawing,” Art in America 26 (1938), p. 15.
• Daniel Catton Rich, “Monsieur Mallet by Ingres,” Bulletin of The Art Institute of Chicago 32:5 (September-October 1938), pp. 66-69 (cover ill.).
• Lillian Combs, “Reports of the Department for 1938, Prints and Drawings,” Bulletin of The Art Institute of Chicago (March 1939), pp. 21 and 170.
• Ella S. Siple, “Art In America: Exhibitions of French Art in New York and Springfield,” The Burlington Magazine LXXV (December 1939), pp. 249-250 (ill.).
• Jean Alazard, Ingres et l’Ingrisme (Paris, 1950), no. XVIII (ill.).
• Kurt Seligmann, “A Letter,” The Art Institute of Chicago Quarterly XLVI:3 (September 15, 1952), pp. 44-45, fig. 2.
• Maud Kemper Riley, “An Exhibition for Paris,” The Art Institute of Chicago Quarterly (April 1, 1955), p. 28.
• Ternois, Les dessins d’Ingres au Musée de Montauban: les Portraits (Paris, 1959), no. 118.
• Hans Naef, Rome vue par Ingres (Lausanne, 1960), p. 27.
• “Chicago’s Drawings in New York,” Antiques (October 1963), p. 464.
• Agnes Mongan, “Hommage a Ingres,” L’Oeil, (September 1967), p. 29.
• Jullian Ren, Ingres et le Paysage (1967), pp. 89, 141, and145.
• Norman Schlenoff, “Ingres Centennial at the Fogg Museum,” The Burlington Magazine (June 1967), p. 376.
• Justus Franz Witkop, Die Welt des Empire (Munich, 1968), p. 212.
• Colloque Ingres (Montauban, 1969), pp. 144-145, fig. 10.
• Madeleine Delpierre, “Ingres et la mode de son temps,” Bulletin du Musée Ingres (July 1975), p. 22.
• Hans Naef, Die Bildniszeichnungen von J.A.D. Ingres (Bern, 1977), I:195-196, fig. 1, IV:104-105, no. 55 (ill.).
• Daniel Ternois, Ingres (Paris, 1980), p. 26.
• Daniel Ternois, Tout l’oeuvre peint de Ingres (Paris, 1984), p. 12 (ill.).
• Lu Bro, Drawing a Studio Guide (New York and London, 1985) (ill.).
• Richard Brettell, French Salon Artists 1800-1900 (Chicago, 1987), pp. 21, 22, 118 (ill.).
• Jean-Auguste-Dominique Ingres, Ingres Portrait Drawings (New York, 1993), p. 15 (ill.).
• Uwe Fleckner, Abbild und Abstraktion (Mainz, 1995), p. 111, fig. 34.
• Georges Vigne, Dessins d’Ingres, catalogue raisonné des dessins du Musée de Montauban (Paris, 1995), p. 490 (ill.).
• David M. Cassidy, “Passing the Tradition,” The Chicago Report (1996).
• Getting to Know the World’s Greatest Artists-Georges Seurat (2001).
• “The Function of the Drawing in the Work of Ingres and Degas,” The College Art Association (February 2002).

• Springfield, Mass., Springfield Museum of Fine Arts, “David and Ingres,” November 20-December 15, 1939; traveled to New York, M. Knoedler and Company, January 1940, and Cincinnati, Ohio, Cincinnati Museum of Art, February 1940.
• The Art Institute of Chicago, “Drawings Old and New,” 1946, p. 19, cat. 30, pl. XI, cat. by Carl Schniewind.
• Paris, Musée de l’Orangerie, “De David à Toulouse-Lautrec,” 1955, n.p., cat. 80, pl. 5.
• Kansas City, Mo., The Nelson Gallery, “Twenty-Fifth Anniversary Exhibition,” December 1958, cat. 17.
• The Art Institute of Chicago, “Fiftieth Anniversary Exhibition,” 1961, cat. 85.
• New York, Wildenstein and Company, “Master Drawings from The Art Institute of Chicago,” October 17-November 30, 1963, n.p., cat. 75.
• Cambridge, Mass, Fogg Art Museum, Harvard University, “Ingres: Centennial Exhibition,” February 12-April 9, 1967, n.p., cat. 14 (ill.).
• Paris, Petit Palais, “Ingres,” October 27, 1967-January 29, 1968, p. 66, cat. 38 (ill.).
• The National Gallery of Art, Washington, D.C., “Ingres in Rome,” 1971, cat. 145; traveled to New York, Wildenstein and Company; the Philadelphia Museum of Art; and Kansas City, Mo., the William Rockhill Nelson Gallery of Art.
• The Art Institute of Chicago, “European Portraits 1600-1900 in The Art Institute of Chicago,” July 8-September 11, 1978, pp. 115-117, cat. 30 (ill.).
• The Art Institute of Chicago, “Canova and French (1758-1823),” January 15-20, 1985.
• Washington, D.C., The National Gallery of Art, “Portraits By Ingres: Image of an Epoch,” May 23-August 27, 1999, cat 42 (ill.); traveled to New York, the Metropolitan Museum of Art, September 27, 1999-January 2, 2000.

Charles François Mallet (died 1853). Possibly the Royal Family of Wurttenberg [a letter from Jacob Hirsch in the curatorial file]. Baroness Wilhelm-Carl von Rothschild (née Matilde von Rothschild; died 1924), Frankfurt-am-Main; probably to her daughter Baroness Maximilian von Goldschmidt-Rothschild (née Minna Caroline von Rothschild; died 1903) [letter from Jacob Hirsch]. Sold by Dr. Jacob Hirsch, New York to the Art Institute, 1938.