Maze Table

Courtesy of Rhona Hoffman Gallery

Contemporary Art

1985

Vito Acconci
American, 1940-2017

Status: Currently Off View
Department: Contemporary Art

Artist: Vito Acconci
Title: Maze Table
Place: United States (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1985
Medium: Glass and silicone
Dimensions: 76.2 × 365.8 × 365.8 cm (30 × 144 × 144 in.)
Credit Line: Gift of the Oliver-Hoffmann Foundation in memory of Camille O.Hoffmann and Mary S. Blust
Reference Number: 2024.85a-kk

Neil Goodman, “Vito Acconci,” New Art Examiner, 13, no. 8 (Apr. 1986): 54 (ill.).
Andrea Miller-Keller, Lions Gallery of the Senses presents: Vito Acconci/MATRIX 87, exh. brochure (Hartford: Wadsworth Atheneum, 1986), n.p (ills.).
Ronald J. Onorato, Vito Acconci: Domestic Trappings, exh. cat. (La Jolla: Museum of Contemporary Art, 1987), 52 (color ill.).
I. Michael Danoff, Phyllis Tchman, Lynne Warren, and Bruce Guenther, Three Decades: The Oliver-Hoffmann Collection, exh. cat. (Chicago: Museum of Contemporary Art, 1988), 60 (color ill.), 61, 126.
Sylvère Lotringer, “Vito Acconci: House Trap,” Flash Art International, no. 147 (Summer 1989): 126 (ill.).
Kate Linker, Vito Acconci (New York: Rizzoli, 1994), 152 (color ill.), 153, 222.
Dean Sobel, Margaret Andera, and Sanford Kwinter, Vito Acconci, Acconci Studio: Acts of Architecture, exh. cat. (Milwaukee: Milwaukee Art Museum, 2001), 8 (color ill.), 29, 81.
Jocko Weyland, “Vito Acconci: In Conversation with Jocko Weyland,” San Francisco Art Quarterly, April 28, 2017, (color ill.), https://www.sfaq.us/2017/04/vito-acconci-in-conversation-with-jocko-weyland/

Hartford, CT, Wadsworth Atheneum, Lions Gallery of the Senses presents: Vito Acconci/MATRIX 87, May 11 - June 23, 1985, no cat no.
Chicago, Rhona Hoffman Gallery, Vito Acconci, Nov. 22, 1985–Jan. 6, 1986, no cat.
Houston, Contemporary Arts Museum, Vito Acconci: Acts of Architecture, Sept. 29-Nov. 25, 2001; Miami, Miami Art Museum, Dec. 14, 2001-Mar. 3, 2002; Milwaukee, Milwaukee Art Museum, Mar. 22-May 19, 2002; Aspen, Aspen Art Museum, June 7-Sept. 1, 2002, no cat. no.
Chicago, Rhona Hoffman Gallery, Vito Acconci, Maze Table, Oct. 28 –Dec. 10, 2022, no cat.

The artist; sold through Rhona Hoffman Gallery, Chicago, to Paul (1925-1998) and Camille Oliver-Hoffmann (1927-2017), Charlottesville, VA and Chicago, Apr. 4, 1985 [Copy of invoice in curatorial object file]; transferred to the Oliver-Hoffmann Foundation, 2017; given to the Art Institute of Chicago, June 11, 2024.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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