Gift of Yve-Alain Bois and family in memory of Richard Brettell
Extended information about this artwork
Museu de Arte Moderna do Rio de Janeiro, 1a. exposição neoconcreta, exh. cat. (Rio de Janeiro: Museu de Arte Moderna, 1959), n.p., cat. 24 (as Unidade no.5, 2nd versão).
David Medalla, ed. Signals: Bulletin of Signals London, 1 no. 7 (April–May, 1965), 9 (ill.) (as Unity, 1960).
Ferreria Gullar, Experiência neoconcreta: momento–limite da arte, facsimile reprint of the catalogue 1a. exposição neoconcreta (São Paulo, SP: Cosac Naify, 2007), n.p. (as Unidade no.5, 2nd versão).
Museu de Arte Moderna do Rio de Janeiro, 1a. exposição neoconcreta, Mar. 19–Apr. 19, 1959, cat. 24 (as Unidade no.5, 2nd versão).
London, Signals, Lygia Clark, May 27–July 3, 1965, no cat.
Salvador, Brazil, Convento do Carmo, La Bienal nacional de artes plásticas da Bahia, Dec. 28, 1966–Feb. 28, 1967, no cat. no.
The artist; given to Jean Clay, Paris, by Sept. 1971 [email from Yve-Alain Bois, July 30, 2021; copy in curatorial object file]; given to Yve-Alain Bois, Ringoes, NJ, May 2017 [letter from Jean Clay to Yve-Alain Bois, May 30, 2017; copy in curatorial object file]; given to the Art Institute of Chicago, Nov. 9, 2021.
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