Relief no. 12B

• Kunsthalle Basel, Konstruktivisten, exh. cat. (Basel: Kunsthalle Basel, 1937), 18, cat. 118, 120, 121, or 122.
• Musée du jeu de paume, Origines et développement de l’art international indépendant, exh. cat. (Paris: Le Musée, 1937), n.p., cat. 168 (as Bas–relief polychrome rond).
• Pierre Guéguen, Tableaux-objets de Cesar Domela, exh. cat. (Paris: Galerie Pierre, 1939), n.p. (ill.), as Composition sur fond rond).
• Peggy Guggenheim, ed., Art of This Century: Objects, Drawings, Photographs, Paintings, Sculpture, Collages, 1910 to 1942 (New York: Art of This Century, 1942), 92 (ill.), (as Composition on a Round Base).
• H.L.C. Jaffé, Domela: Paintings, Constructions, Tableaux-Objects, 1924–1960, exh. cat. (New York: Galerie Chalette, 1961), n.p., cat. 14, as Construction
• Hyde Park Art Center, The World of Pure Painting, exh. brochure (Chicago: Hyde Park Art Center, 1964), n.p., (as Untitled).
• Hélène Seckel-Klein, Daniel Abadie, and Alfred Pacquement, Paris–New York, exh. cat. (Paris: Centre national d’art et de culture Georges Pompidou, 1977), 493 (ill)., (as Composition on a round base).
• Alain Clairet, Domela: Catalogue raisonné de l’œuvre de César Domela-Nieuwenhis, peintures, reliefs, sculptures (Paris: C. Martinez, 1978), 94, cat. 47 (ill.).
• Marie-Odile Briot, Domela: 65 ans d’abstraction, exh. cat. (Paris: Paris-Musées, 1987), 20, fig. 11 (ill.), 31, fig. 53 (ill.); 122, cat. 76 (ill.).
• Stedelijk Museum, Domela: 65 ans d’abstraction, exh. checklist (Amsterdam: Stedelijk Museum, 1987), n.p., cat. 17.
• Karole Vail and Luca Patocchi, Il Ritrovo Degli Artisti: A Brief History in Images of Peggy Guggenheim’s Collection, exh. cat. (Lugano: Fondazione Galleria Gottardo, 2001), 36, 37 (ill.).
• Doris Wintgens, Peggy Nelly: Peggy Guggenheim and Nelly Van Doesburg Advocates of De Stijl (Rotterdam: Nai010 Publishers, 2017), 52, 54, fig. 34 (ill.), (as Composition on a Round Base).

• Kunsthalle Basel, Konstruktivisten, Jan. 16–Feb. 14, 1937, cat. 118, 120, 121, or 122.
• Paris, Musée du jeu de paume, Origines et développement de l’art international indépendant, July 30–Oct. 31, 1937, cat. 168 (as Bas–relief polychrome rond).
• Paris, Galerie Pierre, Tableaux-objets de César Domela, Feb. 2–Mar. 1, 1939, no cat. no. (as Composition sur fond rond, 1936).
• New York, Leo Castelli, Pioneers: 1910-1950, Apr. 29-May 31, 1958, no cat.
• New York, Galerie Chalette, Domela: Paintings, Constructions, Tableaux-Objects, 1924–1960, Feb. 15–March 31, cat. 14, as Construction
• Chicago, Hyde Park Art Center, The World of Pure Painting, May 13–17, 1964, cat. 8 (as Untitled).
• Paris, Centre Georges Pompidou, Paris–New York, June 1–Sept. 19, 1977, no cat. no. (as Composition on a round base).
• Paris, Musée d’art moderne de la Ville de Paris, Domela: 65 ans d’abstraction, Mar. 4–May 10, 1987, cat. 76; Musée de Grenoble, June 4–Sept. 2, 1987; Amsterdam, Stedelijk Museum, Oct. 30–Dec. 12, 1987, cat. 17.

The artist; Peggy Guggenheim (1898–1979), Paris and later New York, by fall 1940 until at least 1942 [Clairet 1978, 241; Wintgens 2017, 52n16; Guggenheim 1942, 92]. Sold through B.C. Holland Gallery, Chicago, to Lillian Florsheim (1896–1988), Chicago, Oct. 24, 1963 [receipt, copy in curatorial object file]; by descent to Lisa Goldberg, New York; promised as a gift to the Art Institute of Chicago, Nov. 9, 2021.